She works at the intersection of biography and history, focusing on post-plantation economies by engaging with a particular landscape on Barbados.
SOIL: The World at Our Feet
Cosmopolitan Creoles and Neoliberal Mobility
Serving as an engine for global modernity, the Caribbean has been constituted by histories of transatlantic slavery, indentured servitude, and anti-colonial struggle, as well as inter- and intra-regional migrations…
Habana Biennial 15
Spirit in the Land: Cummer Museum of Art & Gardens
Spirit in the Land: Pérez Art Museum Miami
An Unbound Book of Prayer
In the Sugar Gardens
Practising Agape: Art Sale for Gaza
Against Apartheid
Seeds and Souls
Pray to Flowers – A Plot of Disalienation
Spirit in the Land: Nasher Museum of Art
A Garden of Hope
In Praise of Plants
June 2022 in Girona, Spain
A Hymn to the Banished
A Hymn to the Banished explores connections between Scotland and Barbados through a newly commissioned artwork as part of the National Trust for Scotland’s ongoing mission to face the legacies of slavery and empire in its properties.
Lineas de Fuga / Lines of Flight
A Walker’s Diary - An Effort at Disalienation
lightly, tendrils
In lightly, tendrils, Annalee Davis and Amanda Thomson examine nature and landscape, with work rooted in the artists’ experiences of living in, walking around and mapping their respective landscapes of Scotland and Barbados
Contesting Landscapes: Creative Interventions at Balmacara Estate
First blog post shared by the National Trust for Scotland.
Curatorial Multivocality through Caribbean Collaborations: A Conversation with Holly Bynoe, Annalee Davis and Katherine Kennedy, by Natalie McGuire-Batson
“Curatorial approaches across the Caribbean region have often been vehicles for challenging and dismantling exclusionary global frameworks in visual art engagement. Nestled within this, have been artist-led platforms in the Anglophone Caribbean, such as Fresh Milk, ARC Magazine and Sour Grass, and the collaborative projects that stem from them. Such initiatives have arguably endeavoured to engage diverse archipelagic connections and expand self-determination in Caribbean visual languages, exploring new approaches to curatorship.”