She works at the intersection of biography and history, focusing on post-plantation economies by engaging with a particular landscape on Barbados.
Walkers - 1667 to present
What Davis seems to be invoking in the viewer is a kind of stereoscopic vision that simultaneously sees the skin of things and the bones beneath, the land and what lies below, history and what it hides.
Notions of common/wealth versus single/wealth
Global art is not only polycentric as a practice, but also demands a polyphonic discourse. Art history has divided the world, whereas the global age tends to restore unity on another level. Not only is the game different: it is also open to new participants who speak in many tongues and who differ in how they conceive of art in a local perspective. We are watching a new mapping of art worlds in the plural which claim geographic and cultural difference.