She works at the intersection of biography and history, focusing on post-plantation economies by engaging with a particular landscape on Barbados.
Contemporary Middle Passage (here) and (there)
Sixteen feet long and six feet wide, this double sided work on a single piece of paper shows on the (here) side, a woman falling in the abyss, holding onto her umbilicus, trying to situate herself between a island image seen through rose coloured glasses at the foot of the painting, a royal palm and a hand reaching for a rooted home. On the reverse, the woman flies high in the sky, head amongst the birds, luggage trailing behind, suspended in a Caribbean migrant dilemma between here and there.