She works at the intersection of biography and history, focusing on post-plantation economies by engaging with a particular landscape on Barbados.

The Things We Worship
Installation Annalee Davis Installation Annalee Davis

The Things We Worship

In the early nineties, I was responding to heated national debates questioning the future of a landscape caught between a sugar industry with its weighty associations with slavery, sugar production costs that were among the highest in the world and the development of tropical islands as exoticised playgrounds for foreigners, catered to through the development of golf courses, ever grander hotels and possibly casinos. The Things We Worship exposed contradictions that, if left to prevailing market trends, would go unchallenged.

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