This work presents a portrait of a 21st century, white Creole Barbadian family. Twenty-five stands, cut from a single evergreen Ficus tree, are the support bases for posts which in turn each hold an acrylic, laser cut portrait of my immediate family members. The transparency of the material references the simultaneous visibility and invisibility of the twenty-five profiled white Creole portraits within the context of contemporary Caribbean society. 

Show me your status presents a recording of a woman from St. Vincent who recounts her experience of being approached on a mini bus by three immigration officials and one police officer and of being publicly humiliated by being asked to show her status. 

In 2009, I developed a project using an abolitionist poster from 1851.  The broadside was originally posted in the streets as a warning to the Coloured People of Boston and was in opposition to the Fugitive Slave law of 1850 that was a threat to all African Americans. The law required citizens to help catch runaways and warned that those who aided a fugitive could be fined or imprisoned.  An interracial group formed the Boston Committee of Vigilance and issued the poster to alert free African-Americans to the presence of Policemen who were acting as Slave Catchers and Kidnappers.  

Hatchlings - A Requiem, situates the fifteen member countries as insular national states, lying on a bed of the shredded Revised Treaty of Chaguaramas.