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      <image:caption>Shot from the exhibition Potential Agrarianism: Will There Still be Sugar After the Revolution?</image:caption>
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      <image:caption>Exhibition Flier.</image:caption>
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    <loc>https://annaleedavis.com/archive/nts-blogpost-1</loc>
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    <lastmod>2022-02-04</lastmod>
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    <loc>https://annaleedavis.com/archive/curatorial-mutlivocalities-faire-mondes</loc>
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    <lastmod>2022-01-31</lastmod>
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      <image:title>Archive - Curatorial Multivocality through Caribbean Collaborations: A Conversation with Holly Bynoe, Annalee Davis and Katherine Kennedy, by Natalie McGuire-Batson - Make it stand out</image:title>
      <image:caption>Publication cover. Designed by Peter Liška.</image:caption>
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      <image:title>Archive - Curatorial Multivocality through Caribbean Collaborations: A Conversation with Holly Bynoe, Annalee Davis and Katherine Kennedy, by Natalie McGuire-Batson - Make it stand out</image:title>
      <image:caption>Figure 1 Holly Bynoe, Nadia Huggins and Annalee Davis speaking at the launch of Fresh Milk, August 2011. Photographer: Dondre Trotman. Image Courtesy Fresh Milk.</image:caption>
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      <image:title>Archive - Curatorial Multivocality through Caribbean Collaborations: A Conversation with Holly Bynoe, Annalee Davis and Katherine Kennedy, by Natalie McGuire-Batson - Make it stand out</image:title>
      <image:caption>Figure 2 Holly Bynoe, Annalee Davis and Katherine Kennedy, 2021. Image Courtesy Katherine Kennedy.</image:caption>
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      <image:title>Archive - Curatorial Multivocality through Caribbean Collaborations: A Conversation with Holly Bynoe, Annalee Davis and Katherine Kennedy, by Natalie McGuire-Batson - Make it stand out</image:title>
      <image:caption>Figure 3 The Fresh Milk Books team in 2014: Kwame Slusher, Amanda Haynes, Christian Campbell, Versia Harris, and Tristan Alleyne. Image Courtesy Fresh Milk.</image:caption>
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      <image:title>Archive - Curatorial Multivocality through Caribbean Collaborations: A Conversation with Holly Bynoe, Annalee Davis and Katherine Kennedy, by Natalie McGuire-Batson - Make it stand out</image:title>
      <image:caption>Figure 4 ARC and NLS partnered to stage a group exhibition at (e)merge art fair in Washington. DC, 2014. Image courtesy ARC Magazine.</image:caption>
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      <image:title>Archive - Curatorial Multivocality through Caribbean Collaborations: A Conversation with Holly Bynoe, Annalee Davis and Katherine Kennedy, by Natalie McGuire-Batson - Make it stand out</image:title>
      <image:caption>Figure 5 Image from the blog entry of local artist in residence Kia Redman, 2019. Image courtesy Fresh Milk.</image:caption>
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      <image:title>Archive - Curatorial Multivocality through Caribbean Collaborations: A Conversation with Holly Bynoe, Annalee Davis and Katherine Kennedy, by Natalie McGuire-Batson - Make it stand out</image:title>
      <image:caption>Figure 6 2019 artist in residence Kia Redman during her community outreach activities at Workman’s Primary School, Barbados. Photographer: Ethan Knowles. Image Courtesy Fresh Milk.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/d0ade72a-a701-4e2e-9ff4-434df32d4fbe/Image7.jpeg</image:loc>
      <image:title>Archive - Curatorial Multivocality through Caribbean Collaborations: A Conversation with Holly Bynoe, Annalee Davis and Katherine Kennedy, by Natalie McGuire-Batson - Make it stand out</image:title>
      <image:caption>Figure 7 Elvis Lopez and Annalee Davis at Ateliers ’89 Aruba in 2012. Photographer: John Cox. Image courtesy Annalee Davis.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/7a36f0d7-45e1-4249-9a1d-b732ae638962/Image8.jpeg</image:loc>
      <image:title>Archive - Curatorial Multivocality through Caribbean Collaborations: A Conversation with Holly Bynoe, Annalee Davis and Katherine Kennedy, by Natalie McGuire-Batson - Make it stand out</image:title>
      <image:caption>Figure 8 Caribbean Linked IV participating artists with Holly Bynoe and Elvis Lopez at Ateliers ’89 Aruba, 2016. Image courtesy Caribbean Linked.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/f0dfc0c5-dc18-4867-8d93-adf4dcccdcc1/Image9.jpeg</image:loc>
      <image:title>Archive - Curatorial Multivocality through Caribbean Collaborations: A Conversation with Holly Bynoe, Annalee Davis and Katherine Kennedy, by Natalie McGuire-Batson - Make it stand out</image:title>
      <image:caption>Figure 9 Jodi Minnis, Ronald Cyrille, Simone Asia and Alex Kelly working in the studios in Ateliers 89 for Caribbean Linked III, 2015. Image courtesy Caribbean Linked.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/e9b1a111-05d6-48b3-912c-ef9318f2203e/Image10.jpeg</image:loc>
      <image:title>Archive - Curatorial Multivocality through Caribbean Collaborations: A Conversation with Holly Bynoe, Annalee Davis and Katherine Kennedy, by Natalie McGuire-Batson - Make it stand out</image:title>
      <image:caption>Figure 10 Participants in the first Tilting Axis meeting at Fresh Milk, 2015. Photographer: Sammy Davis. Image courtesy Fresh Milk.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/4e7cdc2f-6c60-4206-ba9f-cb646ae1c60c/Image11.jpeg</image:loc>
      <image:title>Archive - Curatorial Multivocality through Caribbean Collaborations: A Conversation with Holly Bynoe, Annalee Davis and Katherine Kennedy, by Natalie McGuire-Batson - Make it stand out</image:title>
      <image:caption>Figure 11 Tilting Axis 2017 Fellow Nicole Smyth-Johnson in conversation with Tiffany Boyle at Tilting Axis 3 in The Cayman Islands, 2017. Photographer: Roy Wallace. Image courtesy Tilting Axis.</image:caption>
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      <image:title>Archive - Curatorial Multivocality through Caribbean Collaborations: A Conversation with Holly Bynoe, Annalee Davis and Katherine Kennedy, by Natalie McGuire-Batson - Make it stand out</image:title>
      <image:caption>Figure 12 Holly Bynoe, Annalee Davis and Jasmine Thomas-Girvan at the Kunstinstituut Melly, 2021. Image courtesy Jeroen Lavèn.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/staplewhatsonyourplate-ptzjl</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-09</lastmod>
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      <image:title>Archive - Staple: What’s On Your Plate?</image:title>
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      <image:title>Archive - Staple: What’s On Your Plate?</image:title>
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      <image:title>Archive - Staple: What’s On Your Plate?</image:title>
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      <image:title>Archive - Staple: What’s On Your Plate?</image:title>
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      <image:title>Archive - Staple: What’s On Your Plate?</image:title>
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      <image:title>Archive - Staple: What’s On Your Plate?</image:title>
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      <image:title>Archive - Staple: What’s On Your Plate?</image:title>
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      <image:title>Archive - Staple: What’s On Your Plate?</image:title>
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      <image:title>Archive - Staple: What’s On Your Plate?</image:title>
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  </url>
  <url>
    <loc>https://annaleedavis.com/archive/sha-fall-newsletter</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-25</lastmod>
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      <image:title>Archive - An Interdisciplinary Approach to Archeology and Art on a Caribbean Plantation - Abstract: Despite a long tradition of plantation archaeology in the Caribbean, there has been little engagement between archaeologists in contemporary Caribbean artists who similarly think with and through material culture. We here outline an interdisciplinary project that incorporates archaeological and artistic practice as a lens through which to understand the history of plantation slavery in Barbados and the significance of its material vestiges in the present.</image:title>
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      <image:title>Archive - An Interdisciplinary Approach to Archeology and Art on a Caribbean Plantation - Make it stand out</image:title>
      <image:caption>Figure 2: Project team members from the City College of New York excavate a test pit in a field north of the windmill, July 2019. Photo credit: Matthew C. Reilly.</image:caption>
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      <image:caption>Figure 8: “F is for Frances”, Coloured pencil and acrylic on plantation ledger pages, 2016. Photo credit: Mark Doroba.</image:caption>
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  </url>
  <url>
    <loc>https://annaleedavis.com/archive/potential-agrarianisms</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-05</lastmod>
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      <image:title>Archive - Potential Agrarianisms: Will There Be Sugar After the Rebellion? - Make it stand out</image:title>
      <image:caption>A group exhibition at Kunsthalle Bratislava, Slovakia</image:caption>
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      <image:title>Archive - Potential Agrarianisms: Will There Be Sugar After the Rebellion?</image:title>
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      <image:title>Archive - Potential Agrarianisms: Will There Be Sugar After the Rebellion?</image:title>
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      <image:title>Archive - Potential Agrarianisms: Will There Be Sugar After the Rebellion?</image:title>
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  </url>
  <url>
    <loc>https://annaleedavis.com/archive/cane-and-beet-entangled-sugar-histories</loc>
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    <priority>0.5</priority>
    <lastmod>2022-01-25</lastmod>
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      <image:title>Archive - Cane and Beet: Entangled Sugar Histories - Make it stand out</image:title>
      <image:caption>Publication cover. Designed by Peter Liška.</image:caption>
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      <image:title>Archive - Cane and Beet: Entangled Sugar Histories - Make it stand out</image:title>
      <image:caption>(bush) Tea Services set featured at The Empire Remains Shop. Photo Credit: Tim Bowditch (2016)</image:caption>
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  </url>
  <url>
    <loc>https://annaleedavis.com/archive/innerseeing-versus-overseeing</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-03-20</lastmod>
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      <image:title>Archive - Innerseeing versus Overseeing - Make it stand out</image:title>
      <image:caption>Aerial view of Walkers Dairy, St. George, Barbados. (Photo credit: Justin Went)</image:caption>
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      <image:title>Archive - Innerseeing versus Overseeing - Make it stand out</image:title>
      <image:caption>Ashfall on Philodendron in the artist’s garden, April 10, 2021</image:caption>
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      <image:title>Archive - Innerseeing versus Overseeing - Make it stand out</image:title>
      <image:caption>Sahara dust over Barbados. (Photo credit: Alexander James)</image:caption>
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      <image:title>Archive - Innerseeing versus Overseeing - Make it stand out</image:title>
      <image:caption>Map My Walk app image tracking the artist’s walk on Sunday, April 4th, 2021, 6:15 am.</image:caption>
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      <image:title>Archive - Innerseeing versus Overseeing - Make it stand out</image:title>
      <image:caption>Hastings Beach</image:caption>
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      <image:title>Archive - Innerseeing versus Overseeing - Make it stand out</image:title>
      <image:caption>West Indies Central Sugarcane Breeding Station, Barbados. November 2014.</image:caption>
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      <image:title>Archive - Innerseeing versus Overseeing - Make it stand out</image:title>
      <image:caption>Richard Ford map representing Barbados at the height of its early sugar production - 1675. (detail)</image:caption>
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      <image:title>Archive - Innerseeing versus Overseeing - Make it stand out</image:title>
      <image:caption>Map of the gullies of Barbados, Ministry of Energy and the Environment - 2006. (detail)</image:caption>
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      <image:title>Archive - Innerseeing versus Overseeing - Make it stand out</image:title>
      <image:caption>Sweeping the Fields, Mill Wall, Annalee Davis, 2016. (Photo credit: Helen Cammock]</image:caption>
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      <image:title>Archive - Innerseeing versus Overseeing - Make it stand out</image:title>
      <image:caption>Wild Plant Series, latex on plantation ledger pages, Annalee Davis, Art Gallery Black Studies, University of Texas, Austin. 2016. (Photo credit: Mark Doroba)</image:caption>
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      <image:title>Archive - Innerseeing versus Overseeing - Make it stand out</image:title>
      <image:caption>Sweet Island Cookie Cutters – Sweet Fuh So!, Annalee Davis, 2012. Install shot at the Pérez Art Museum Miami. Seven Acrylic cookie cutters, indoor/outdoor carpet and laser engraved andiroba boxes. Each box measures 7.75″ x 7.75″ x 2″ (Image courtesy PAMM)</image:caption>
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      <image:title>Archive - Innerseeing versus Overseeing - Make it stand out</image:title>
      <image:caption>Walking as Ritual</image:caption>
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      <image:title>Archive - Innerseeing versus Overseeing - Make it stand out</image:title>
      <image:caption>King Line, Mixed media on plantation ledger page, Annalee Davis 2016.</image:caption>
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      <image:title>Archive - Innerseeing versus Overseeing - Make it stand out</image:title>
      <image:caption>17th-18th-century clay and porcelain sherds found in the fields at Walkers Dairy, St. George, Barbados. (Photo credit: Holly Bynoe)</image:caption>
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      <image:title>Archive - Innerseeing versus Overseeing - Make it stand out</image:title>
      <image:caption>Thomas Applewhaite’s last will and testament, detail from a photocopy of the original, 1815. Photo credit: Holly Bynoe.</image:caption>
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      <image:title>Archive - Innerseeing versus Overseeing - Make it stand out</image:title>
      <image:caption>Walkers Dairy Register (detail), 1834. (Photo credit: Holly Bynoe)</image:caption>
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      <image:title>Archive - Innerseeing versus Overseeing - Make it stand out</image:title>
      <image:caption>Private Community Garden, The Pine, St. Michael, Barbados. (Photo credit: Holly Bynoe)</image:caption>
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      <image:title>Archive - Innerseeing versus Overseeing - Make it stand out</image:title>
      <image:caption>Annalee Davis in her studio. (Photo credit: Holly Bynoe)</image:caption>
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      <image:title>Archive - Innerseeing versus Overseeing - Make it stand out</image:title>
      <image:caption>Annalee Davis walking in Upper Orchard field, Walkers Dairy, St. George, Barbados. (Photo credit: Justin Went)</image:caption>
    </image:image>
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  <url>
    <loc>https://annaleedavis.com/archive/and-if-devote-my-life-to-one-of-its-feathers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-05</lastmod>
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      <image:title>Archive - And if I devoted my life to one of its feathers?</image:title>
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      <image:title>Archive - And if I devoted my life to one of its feathers?</image:title>
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  <url>
    <loc>https://annaleedavis.com/archive/annalee-davis-wild-tings</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-25</lastmod>
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      <image:title>Archive - Annalee Davis: Wild T’ings</image:title>
      <image:caption>F is for Frances (detail).  Photo credit: Mark King.</image:caption>
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      <image:title>Archive - Annalee Davis: Wild T’ings</image:title>
      <image:caption>Act of revolution: Black Lives Matter demonstration held in June 2020 in Barbados.</image:caption>
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  </url>
  <url>
    <loc>https://annaleedavis.com/archive/brjlzwse8e07m6nguyo44zne8lxrse</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-05</lastmod>
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      <image:title>Archive - Florilegium: A gathering of flowers</image:title>
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      <image:title>Archive - Florilegium: A gathering of flowers</image:title>
      <image:caption>Photography: Tom Nolan</image:caption>
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      <image:title>Archive - Florilegium: A gathering of flowers</image:title>
      <image:caption>Photography: Tom Nolan</image:caption>
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      <image:title>Archive - Florilegium: A gathering of flowers</image:title>
      <image:caption>Photography: Tom Nolan</image:caption>
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      <image:title>Archive - Florilegium: A gathering of flowers</image:title>
      <image:caption>Photography: Tom Nolan</image:caption>
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      <image:title>Archive - Florilegium: A gathering of flowers</image:title>
      <image:caption>Photography: Tom Nolan</image:caption>
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      <image:title>Archive - Florilegium: A gathering of flowers</image:title>
      <image:caption>Photography: Tom Nolan</image:caption>
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      <image:title>Archive - Florilegium: A gathering of flowers</image:title>
      <image:caption>Photography: Tom Nolan</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/bush-tea-plot-a-decolonial-patch-for-mill-workers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-05</lastmod>
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      <image:title>Archive - (Bush) Tea Plot – A Decolonial Patch for Mill Workers</image:title>
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      <image:title>Archive - (Bush) Tea Plot – A Decolonial Patch for Mill Workers</image:title>
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      <image:title>Archive - (Bush) Tea Plot – A Decolonial Patch for Mill Workers</image:title>
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      <image:title>Archive - (Bush) Tea Plot – A Decolonial Patch for Mill Workers</image:title>
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      <image:title>Archive - (Bush) Tea Plot – A Decolonial Patch for Mill Workers</image:title>
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      <image:title>Archive - (Bush) Tea Plot – A Decolonial Patch for Mill Workers</image:title>
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      <image:title>Archive - (Bush) Tea Plot – A Decolonial Patch for Mill Workers</image:title>
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      <image:title>Archive - Leh We Talk</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597519353131-PWMCFDM45U5IS2B41P50/2020-07-18+19.22.11.jpg</image:loc>
      <image:title>Archive - Leh We Talk</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597519370310-TY2UELJ4J5QTONYPM52L/2020-07-18+19.22.43.jpg</image:loc>
      <image:title>Archive - Leh We Talk</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597519371775-YHDR5WW5HARODM0S4V13/2020-07-18+19.23.55.jpg</image:loc>
      <image:title>Archive - Leh We Talk</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597519380144-J7L6NA3YVDQ21KBSJ04C/2020-07-18+19.24.21.jpg</image:loc>
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      <image:title>Archive - Leh We Talk</image:title>
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  <url>
    <loc>https://annaleedavis.com/archive/2ullqrslm9yu23yfbgv0npht9oad9w</loc>
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    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
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  <url>
    <loc>https://annaleedavis.com/archive/wk2k8c4s3utm308ljk6h7a17ei6s83</loc>
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    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598626707445-ZN8FW59OY173C18TEROG/Image+for+On+race+and+whiteness_2.jpg</image:loc>
      <image:title>Archive - On race and whiteness from the context of Barbados #1</image:title>
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  <url>
    <loc>https://annaleedavis.com/archive/4m2v7pnnndavynf03klpzci30lugyq</loc>
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    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
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      <image:title>Archive - The healing effects of bush tea: A conversation with Barbadian visual artist Annalee Davis</image:title>
      <image:caption>Cerasee bush, just one of the many medicinal plants that can be used to make bush tea, drying. Photo by Sammy Davis, courtesy of Annalee Davis, used with permission.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598841805420-14L6IZAL4YS7NXHRG2L0/Fig.-6.-Annalee-Davis-Bush-Tea-Services-2016-The-Empire-Remains-Shop_Image-Tim-Bowditch-02-800x533.jpg</image:loc>
      <image:title>Archive - The healing effects of bush tea: A conversation with Barbadian visual artist Annalee Davis</image:title>
      <image:caption>(Bush) Tea Services at The Empire Remains Shop, London, UK, 2016. Photo byTim Bowditch. Image courtesy Annalee Davis, used with permission.</image:caption>
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  <url>
    <loc>https://annaleedavis.com/archive/beach-as-plot</loc>
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    <priority>0.5</priority>
    <lastmod>2022-01-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597977417830-IEMOJW3O7Q1YCDQVWLMV/detail-sweet-island-cookie-cutters-sweet-fuh-so.jpg</image:loc>
      <image:title>Archive - Beach as Plot?</image:title>
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      <image:caption>Hyatt Ziva Town Hall Meeting, Copacabana Beach Club, Bay Street, Bridgetown, Barbados. January 2020</image:caption>
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    <image:image>
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      <image:title>Archive - Beach as Plot?</image:title>
      <image:caption>Hyatt Ziva Town Hall Meeting, Copacabana Beach Club, Bay Street, Bridgetown, Barbados. January 2020</image:caption>
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    <image:image>
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      <image:title>Archive - Beach as Plot?</image:title>
      <image:caption>Carlisle Bay, Bridgetown, Barbados. The Hyatt Ziva will be situated a couple hundred metres north of this site.</image:caption>
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      <image:title>Archive - Beach as Plot?</image:title>
      <image:caption>Vaucluse Sugar Factory, St. Thomas, Barbados</image:caption>
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    <image:image>
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      <image:title>Archive - Beach as Plot?</image:title>
      <image:caption>This Land of Mine: Past, Present &amp; Future (1997). Suite of Twelve Relief Prints. Full suite 5’h x 4’6”w. (Photo Credit – Dan Christaldi)</image:caption>
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      <image:title>Archive - Beach as Plot?</image:title>
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      <image:title>Archive - Beach as Plot?</image:title>
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      <image:title>Archive - Beach as Plot?</image:title>
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      <image:title>Archive - Beach as Plot?</image:title>
      <image:caption>Just Beyond My Imagination 2006/2007. Installation – Indoor/Outdoor carpeting, cast plaster moulds, sand, engraved red carpet, flag pole with embroidered flag, golf ball. Photo credit: Remy Jungerman.</image:caption>
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    <image:image>
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      <image:title>Archive - Beach as Plot?</image:title>
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    <image:image>
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      <image:title>Archive - Beach as Plot?</image:title>
      <image:caption>Sweet Island Cookie Cutters – Sweet Fuh So!,  2012. Install shot at the Pérez Art Museum Miami. Seven Acrylic cookie cutters, indoor/outdoor carpet and laser engraved andiroba boxes. Each box measures 7.75″ x 7.75″ x 2″, Image courtesy PAMM.</image:caption>
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    <image:image>
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      <image:title>Archive - Beach as Plot?</image:title>
      <image:caption>Sweet Island Cookie Cutters, 2007 – Sweet Fuh So! Detail. Seven Acrylic cookie cutters, indoor/outdoor carpet and laser engraved andiroba boxes. Each box measures 7.75″ x 7.75″ x 2″, 2012</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597978319566-WBJ9Z79H5N02UYIRCQOE/detail-open-sweet-island-cookie-cutters-sweet-fuh-so.jpg.jpg</image:loc>
      <image:title>Archive - Beach as Plot?</image:title>
      <image:caption>Sweet Island Cookie Cutters, 2007 – Sweet Fuh So! Detail. Seven Acrylic cookie cutters, indoor/outdoor carpet and laser engraved andiroba boxes. Each box measures 7.75″ x 7.75″ x 2″, 2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597979033072-5I0S98AERIU9GMQFTQUK/image-asset.jpeg</image:loc>
      <image:title>Archive - Beach as Plot?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597979049828-CX5X8MJO7CNDI6ATPJVG/publicbeachaccess.4.jpg</image:loc>
      <image:title>Archive - Beach as Plot?</image:title>
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    <image:image>
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    <image:image>
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      <image:caption>Public Beach Access (2010) Still from video. Video Installation 8:39 minutes. Shot and Edited by Omar Estrada. (Photo Credit: Alexandra Majerus)</image:caption>
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    <image:image>
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      <image:title>Archive - Beach as Plot?</image:title>
      <image:caption>(Bush) Tea Plots – A Decolonial Patch, 2019. A living apothecary, EBCCI, UWI Cave Hill, Barbados. Photo credit: Dondré Trotman</image:caption>
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    <image:image>
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      <image:title>Archive - Beach as Plot? - Make it stand out</image:title>
      <image:caption>Enterprise beach also known as Miami Beach, March 2020</image:caption>
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    <loc>https://annaleedavis.com/archive/heartseed-exhibition</loc>
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    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
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      <image:title>Archive - Heartseed Exhibition</image:title>
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      <image:title>Archive - Heartseed Exhibition</image:title>
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      <image:title>Archive - Heartseed Exhibition</image:title>
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    <priority>0.5</priority>
    <lastmod>2022-01-25</lastmod>
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      <image:title>Archive - On Being Committed to a Small Place</image:title>
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  <url>
    <loc>https://annaleedavis.com/archive/second-spring</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-29</lastmod>
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  <url>
    <loc>https://annaleedavis.com/archive/parasite-series</loc>
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    <priority>0.5</priority>
    <lastmod>2021-09-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598047829202-I425G1ZTWDU5NC8FMAUI/1.%252BAnnalee_Davis_5_PRINT.jpg</image:loc>
      <image:title>Archive - Parasite Series</image:title>
      <image:caption>Woman Looking at Long Annelid Parasite of History, (2018) Mixed Media on paper, 36" x 83"</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597470406090-YWATKJGESJ227XVEM0X6/Annalee_Davis_9_PRINT_LoRes.jpg</image:loc>
      <image:title>Archive - Parasite Series</image:title>
      <image:caption>My Best Diamond Ring, Two Negroe Boys and two negroe wenches, (2018) Mixed media on paper, 70” x 36”</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597470480127-UPYELV63LCZXKGOAJQM8/Annalee_Davis_1_PRINT_LoRes.jpg</image:loc>
      <image:title>Archive - Parasite Series</image:title>
      <image:caption>Woman Wrestling with Long Annelid Parasites of History, (2018) Mixed media on paper, 74" x 60"</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597470403818-K3YGBNUALSVZB7E38AIV/Annalee_Davis_2_PRINT_LoRes.jpg</image:loc>
      <image:title>Archive - Parasite Series</image:title>
      <image:caption>Woman Expelling Long Annelid Parasite of History While Standing on Top of a Mill Wall, (2018) Mixed media on paper, 70” x 36”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597470477759-5P34X9BXBAIN6H5MJS34/5.+Annalee_Davis_4_PRINT_Final+%281%29_LoRes.jpg</image:loc>
      <image:title>Archive - Parasite Series</image:title>
      <image:caption>Woman Confronts a Long Annelid Parasite of History, (2018) Mixed Media on paper, 53" x 36"</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598317271193-9ZL8MVA6UZR8H2FMB3YW/Annalee_Davis_7_PRINT_LoRes.jpg</image:loc>
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    <image:image>
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    <image:image>
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      <image:title>Archive - Parasite Series</image:title>
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  <url>
    <loc>https://annaleedavis.com/archive/post-reproductive-breasts-sprouting-qal</loc>
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    <priority>0.5</priority>
    <lastmod>2021-09-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597468319232-YBF94V5S7735X5HFM54S/PRB_QAL_1_LoRes.jpg</image:loc>
      <image:title>Archive - Post Reproductive Breasts Sprouting Queen Anne’s Lace</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597468433799-2COVP7JE5G28URL6RH46/PRB_QAL_4detail_LoRes.jpg</image:loc>
      <image:title>Archive - Post Reproductive Breasts Sprouting Queen Anne’s Lace</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597468319325-CO97PTUAMZHBRE31D2UT/PRB_QAL_2_LoRes.jpg</image:loc>
      <image:title>Archive - Post Reproductive Breasts Sprouting Queen Anne’s Lace</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597468443120-0K4DBSGEYQPBU3JE0VY9/PRB_QAL_7_LoRes.jpg</image:loc>
      <image:title>Archive - Post Reproductive Breasts Sprouting Queen Anne’s Lace</image:title>
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  <url>
    <loc>https://annaleedavis.com/archive/bush-tea-plots</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597428637756-95P9CQ9NGF84I6GVMMJW/IMG_6797.jpg</image:loc>
      <image:title>Archive - (bush) Tea Plots - A Decolonial Patch</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597428637325-4KGGQZY39ZC4UDQAKU4W/IMG_6804.jpg</image:loc>
      <image:title>Archive - (bush) Tea Plots - A Decolonial Patch</image:title>
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    <image:image>
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      <image:title>Archive - (bush) Tea Plots - A Decolonial Patch</image:title>
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    <image:image>
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      <image:title>Archive - (bush) Tea Plots - A Decolonial Patch</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597428642141-PVDP0H3WFBBUXAUL009G/IMG_6823.jpg</image:loc>
      <image:title>Archive - (bush) Tea Plots - A Decolonial Patch</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597428643380-QX17UMOPW5CR93X8SVIJ/IMG_6825.jpg</image:loc>
      <image:title>Archive - (bush) Tea Plots - A Decolonial Patch</image:title>
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  <url>
    <loc>https://annaleedavis.com/archive/dkvypedwvaz2wy9t09bbap05b0pa1o</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597110196923-C2B9YHFPA7UBIBIZXXFE/Archaeology+Below+the+Cliff2_LoRes.png</image:loc>
      <image:title>Archive - Archaeology below the Cliff</image:title>
      <image:caption>Saccharum officinarum; Queen Anne's Lace Detail Latex on wall. (2014)</image:caption>
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  </url>
  <url>
    <loc>https://annaleedavis.com/archive/as-if-the-entanglement-of-our-lives-did-not-matter</loc>
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    <priority>0.5</priority>
    <lastmod>2023-04-01</lastmod>
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      <image:title>Archive - As if the Entanglement of our Lives Did Not Matter</image:title>
      <image:caption>As If The Entanglements Of Our Lives Did Not Matter: Pearl (2019-2020) Mixed media drawings on paper and ledger pages 60”(H) x 36”(W) (Photo credit: Daniel Christaldi)</image:caption>
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    <image:image>
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      <image:title>Archive - As if the Entanglement of our Lives Did Not Matter</image:title>
      <image:caption>As If The Entanglements Of Our Lives Did Not Matter: Ivy (2019-2020) Mixed media drawings on paper and ledger pages 60”(H) x 36”(W) (Photo credit: Daniel Christaldi)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1680308430058-OXB29E28GWBHN3B8S3Q0/Entangled_1_sugar_cane.jpg</image:loc>
      <image:title>Archive - As if the Entanglement of our Lives Did Not Matter</image:title>
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    <image:image>
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      <image:title>Archive - As if the Entanglement of our Lives Did Not Matter</image:title>
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    <image:image>
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      <image:title>Archive - As if the Entanglement of our Lives Did Not Matter</image:title>
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    <image:image>
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      <image:title>Archive - As if the Entanglement of our Lives Did Not Matter</image:title>
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    <image:image>
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    <image:image>
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  <url>
    <loc>https://annaleedavis.com/archive/ptt5p722dfexblcf0jmhsa88mbk4ml</loc>
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    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597639649966-FCHYHEBRY83UB89TVR4C/InDefenseOfBeauty_6_LoRes.jpg</image:loc>
      <image:title>Archive - In Defense of Beauty</image:title>
      <image:caption>In Defense of Beauty Mixed media on plantation ledger pages Suite of six drawings, 22” x 16” each, 2017 (Photo credit: Daniel Christaldi)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597639646889-MRRDPGRYJT782FZLEAIB/InDefenseOfBeauty_1_LoRes.jpg</image:loc>
      <image:title>Archive - In Defense of Beauty</image:title>
      <image:caption>In Defense of Beauty Mixed media on plantation ledger pages Suite of six drawings, 22” x 16” each, 2017 (Photo credit: Daniel Christaldi)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597639675774-YQ85111WQ8AX2FRE41MA/InDefenseOfBeauty_5_LoRes.jpg</image:loc>
      <image:title>Archive - In Defense of Beauty</image:title>
      <image:caption>In Defense of Beauty Mixed media on plantation ledger pages Suite of six drawings, 22” x 16” each, 2017 (Photo credit: Daniel Christaldi)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597639683757-U3K3DVZ1MAQWQZCCGLO5/InDefenseOfBeauty_4_LoRes.jpg</image:loc>
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      <image:caption>In Defense of Beauty Mixed media on plantation ledger pages Suite of six drawings, 22” x 16” each, 2017 (Photo credit: Daniel Christaldi)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597639693759-3LVJPMY70D8K284JNXXH/InDefenseOfBeauty_3_LoRes.jpg</image:loc>
      <image:title>Archive - In Defense of Beauty</image:title>
      <image:caption>In Defense of Beauty Mixed media on plantation ledger pages Suite of six drawings, 22” x 16” each, 2017 (Photo credit: Daniel Christaldi)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597639700442-ZMS9A3JLDI9XOBEJYV4S/InDefenseOfBeauty_2_LoRes.jpg</image:loc>
      <image:title>Archive - In Defense of Beauty</image:title>
      <image:caption>In Defense of Beauty Mixed media on plantation ledger pages Suite of six drawings, 22” x 16” each, 2017 (Photo credit: Daniel Christaldi)</image:caption>
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  </url>
  <url>
    <loc>https://annaleedavis.com/archive/g9os44kqby9aa1r54enqhat65dhxdh</loc>
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    <lastmod>2020-09-03</lastmod>
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  <url>
    <loc>https://annaleedavis.com/archive/8r2r5bmp9z2uum6nm4879aufa5mxpd</loc>
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    <lastmod>2020-09-03</lastmod>
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      <image:title>Archive - Annalee Davis Uses Art to Unearth and Interrogate</image:title>
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      <image:title>Archive - Annalee Davis Uses Art to Unearth and Interrogate</image:title>
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      <image:title>Archive - Annalee Davis Uses Art to Unearth and Interrogate</image:title>
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      <image:title>Archive - Annalee Davis Uses Art to Unearth and Interrogate</image:title>
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    <image:image>
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    <lastmod>2021-09-02</lastmod>
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      <image:title>Archive - Annalee Davis’ (bush) Tea Services: Botanical Inheritances</image:title>
      <image:caption>Annalee Davis, (bush) Tea Services, 2016. Photo by Tim Bowditch.</image:caption>
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      <image:caption>Annalee Davis, (bush) Tea Services, 2016. Photo by Tim Bowditch.</image:caption>
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      <image:caption>Cerasee bush.</image:caption>
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      <image:title>Archive - Annalee Davis’ (bush) Tea Services: Botanical Inheritances</image:title>
      <image:caption>Annalee Davis, (bush) Tea Services, 2016. Photo by Tim Bowditch.</image:caption>
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    <lastmod>2023-04-10</lastmod>
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      <image:title>Archive - This Ground Beneath My Feet – A Chorus of Bush in Rab Lands</image:title>
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      <image:title>Archive - This Ground Beneath My Feet – A Chorus of Bush in Rab Lands</image:title>
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      <image:title>Archive - This Ground Beneath My Feet – A Chorus of Bush in Rab Lands</image:title>
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      <image:title>Archive - This Ground Beneath My Feet – A Chorus of Bush in Rab Lands</image:title>
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      <image:title>Archive - This Ground Beneath My Feet – A Chorus of Bush in Rab Lands</image:title>
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      <image:title>Archive - This Ground Beneath My Feet – A Chorus of Bush in Rab Lands</image:title>
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      <image:title>Archive - This Ground Beneath My Feet – A Chorus of Bush in Rab Lands</image:title>
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      <image:title>Archive - This Ground Beneath My Feet – A Chorus of Bush in Rab Lands</image:title>
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      <image:title>Archive - This Ground Beneath My Feet – A Chorus of Bush in Rab Lands</image:title>
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      <image:title>Archive - This Ground Beneath My Feet – A Chorus of Bush in Rab Lands</image:title>
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      <image:title>Archive - This Ground Beneath My Feet – A Chorus of Bush in Rab Lands</image:title>
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      <image:title>Archive - This Ground Beneath My Feet – A Chorus of Bush in Rab Lands</image:title>
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  </url>
  <url>
    <loc>https://annaleedavis.com/archive/champagne-tastes-and-mauby-pocketsnbsp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-02</lastmod>
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      <image:title>Archive - Champagne Tastes And Mauby Pockets?&amp;nbsp;</image:title>
      <image:caption>Fig. 1. Anna Christina Lorenzen and Alberta Whittle, Blue, 2012. Performance Still. (c. Anna Christina Lorenzen and Alberta Whittle)</image:caption>
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      <image:title>Archive - Champagne Tastes And Mauby Pockets?&amp;nbsp;</image:title>
      <image:caption>Fig 2. Ronald Williams, The Beast, The Fresh Milk Art Board. (Photo: Dondré Trotman)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598717098032-O5N8BKL7KBSMK49C7YFO/Caribbean+Linked+IV+Group.JPG</image:loc>
      <image:title>Archive - Champagne Tastes And Mauby Pockets?&amp;nbsp;</image:title>
      <image:caption>Fig. 3. Caribbean Linked IV group, 2016</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598716995428-5DWHV6WMUEIDE4H7DQBZ/Fig.+4_TA+delegates_IMG_1458.JPG</image:loc>
      <image:title>Archive - Champagne Tastes And Mauby Pockets?&amp;nbsp;</image:title>
      <image:caption>Fig. 4. Tilting Axis delegates, Fresh Milk, 2015. (Photo by Samantha Davis)</image:caption>
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  </url>
  <url>
    <loc>https://annaleedavis.com/archive/the-dark-domain</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598583055952-Z1IRWRLYQSYO50HM94Z5/Big+Mansion+1_LoRes.jpg</image:loc>
      <image:title>Archive - The Dark Domain</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598583099377-2WU9NAQBYY1DGOX4TUNN/EW0A0622_LoRes.jpg</image:loc>
      <image:title>Archive - The Dark Domain</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598583235111-P84OWU6MSDD09MT4ZQFQ/EW0A0641_LoRes.jpg</image:loc>
      <image:title>Archive - The Dark Domain</image:title>
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      <image:title>Archive - The Dark Domain</image:title>
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      <image:title>Archive - The Dark Domain</image:title>
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  </url>
  <url>
    <loc>https://annaleedavis.com/archive/uk9vki4iwdmd2h4g8zp4giq4mka12e</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/f61fcjd7uet1ji4x246pvommrye8ew</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598043008185-T1BHE6CJ9MF7THCF6BUE/1975Crop_LoRes.jpg</image:loc>
      <image:title>Archive - Ledger Drawings</image:title>
      <image:caption>Ledger Drawings: 1975 Crop (2016) Mixed media on plantation ledger pages 21” x 15” (Photo credit: Mark King)</image:caption>
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      <image:title>Archive - Ledger Drawings</image:title>
      <image:caption>Ledger Drawings: Class of Labour (2016) Mixed media on plantation ledger pages 21” x 15” (Photo credit: Mark King)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598043245458-NFM2OVIWJD33QYQGBX5H/Figure%2B2.%2BBotanical%2Bdetails%2Bof%2Bjoints%2Band%2Bbuds%2B%25281%2529.jpg</image:loc>
      <image:title>Archive - Ledger Drawings</image:title>
      <image:caption>Ledger Drawings: Figure 2. Botanical details of joints and buds (2016) Mixed media on plantation ledger pages 21” x 15” (Photo credit: Mark King)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598043356862-TYLME32K7EDXLDSI23VP/Figure%2B3.%2BBotanical%2Bdetails%2Bof%2Binflorescence%2B%25281%2529.jpg</image:loc>
      <image:title>Archive - Ledger Drawings</image:title>
      <image:caption>Ledger Drawings: Figure 3. Botanical details of inflorescence (2016) Mixed media on plantation ledger pages 21” x 15” (Photo credit: Mark King)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598043425713-10PG7HNPG9D1C9WUEFZ7/Growth%2Bcrack.jpg</image:loc>
      <image:title>Archive - Ledger Drawings</image:title>
      <image:caption>Ledger Drawings: Growth Crack (2016) Mixed media on plantation ledger pages 21” x 15” (Photo credit: Mark King)</image:caption>
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      <image:title>Archive - Ledger Drawings</image:title>
      <image:caption>Ledger Drawings: Week No. 37 (2016) Mixed media on plantation ledger pages 21” x 15” (Photo credit: Mark King)</image:caption>
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      <image:title>Archive - Ledger Drawings</image:title>
      <image:caption>Ledger Drawings: Fôrma d´Açucar (2016) Mixed media on plantation ledger pages 21” x 15” (Photo credit: Mark King)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598043778076-ZL5PTY0PHNEKD9KL3YRE/Edith%2BTheodocia%2BGertrude%2Bet%2Bal_LoRes.jpg</image:loc>
      <image:title>Archive - Ledger Drawings</image:title>
      <image:caption>Ledger Drawings: Edith Theodocia Gertrude et al (2016) Mixed media on plantation ledger pages 21” x 15” (Photo credit: Mark King)</image:caption>
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      <image:title>Archive - Ledger Drawings</image:title>
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      <image:title>Archive - Ledger Drawings</image:title>
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      <image:title>Archive - Ledger Drawings</image:title>
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      <image:title>Archive - Ledger Drawings</image:title>
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      <image:title>Archive - Ledger Drawings</image:title>
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      <image:title>Archive - Ledger Drawings</image:title>
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      <image:title>Archive - Ledger Drawings</image:title>
      <image:caption>Saccharum officinarum and Queen Anne’s Lace  (2016) Latex on Plantation Ledger Pages  70"(H) x 81"(W) (Photo credit: Mark King)</image:caption>
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  </url>
  <url>
    <loc>https://annaleedavis.com/archive/wild-plant-series</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597465567396-5ITE9CVGGAJJT8F06LDU/Enicostema+verticillatum+152.jpg</image:loc>
      <image:title>Archive - Wild Plant Series</image:title>
      <image:caption>Wild Plant Series Latex on Plantation Ledger Pages Each drawing @ 22" x 13", 2015 (Photo credit: Mark Doroba)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597464978576-XNJMHJLL1ENPP9R97HTT/Althernanthera+caracasana+_+Broad-Path+55.jpg</image:loc>
      <image:title>Archive - Wild Plant Series</image:title>
      <image:caption>Wild Plant Series Latex on Plantation Ledger Pages Each drawing @ 22" x 13", 2015 (Photo credit: Mark Doroba)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597464978684-Z1MLCMZYHPRX74VVK2HO/Cordia+dentata+_+Loblolly+Tree%2C+Town+Clammy+Cherry+165.jpg</image:loc>
      <image:title>Archive - Wild Plant Series</image:title>
      <image:caption>Wild Plant Series Latex on Plantation Ledger Pages Each drawing @ 22" x 13", 2015 (Photo credit: Mark Doroba)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597465567822-L70D29QBX5IPRQ08ZBJ6/Jasminum+fluminense+_+Wild+Jasmine%2C+Ink+Vine+151.jpg</image:loc>
      <image:title>Archive - Wild Plant Series</image:title>
      <image:caption>Wild Plant Series Latex on Plantation Ledger Pages Each drawing @ 22" x 13", 2015 (Photo credit: Mark Doroba)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597464983175-WV46U6QEMEPZCXKNFI3A/Desmanthus+virgatus+78.png</image:loc>
      <image:title>Archive - Wild Plant Series</image:title>
      <image:caption>Wild Plant Series Latex on Plantation Ledger Pages Each drawing @ 22" x 13", 2015 (Photo credit: Mark Doroba)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597465571572-FL4TCR9VYZQDG6BCF4PF/Leucaena+leucocephela+_+Myamosee%2C+River+Tamarind.png</image:loc>
      <image:title>Archive - Wild Plant Series</image:title>
      <image:caption>Wild Plant Series Latex on Plantation Ledger Pages Each drawing @ 22" x 13", 2015 (Photo credit: Mark Doroba)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597465568881-QYSKRMEMKL70G48R1A5C/Plumbago+scandens+_+Wild+Plumbago+148.jpg</image:loc>
      <image:title>Archive - Wild Plant Series</image:title>
      <image:caption>Wild Plant Series Latex on Plantation Ledger Pages Each drawing @ 22" x 13", 2015 (Photo credit: Mark Doroba)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597465718602-OG1LAY886HRG4ZCSULDA/Wild+Plant+Unnamed++%236.png</image:loc>
      <image:title>Archive - Wild Plant Series</image:title>
      <image:caption>Wild Plant Series Latex on Plantation Ledger Pages Each drawing @ 22" x 13", 2015 (Photo credit: Mark Doroba)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597465712374-2VFZYOLRNV4FK2CMSCOE/Wild+Plant+Unnamed+%231.jpg</image:loc>
      <image:title>Archive - Wild Plant Series</image:title>
      <image:caption>Wild Plant Series Latex on Plantation Ledger Pages Each drawing @ 22" x 13", 2015 (Photo credit: Mark Doroba)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597465720355-XHEOOLZJT90N5T8M2WNU/Wild+Plant+Unnamed+%233.png</image:loc>
      <image:title>Archive - Wild Plant Series</image:title>
      <image:caption>Wild Plant Series Latex on Plantation Ledger Pages Each drawing @ 22" x 13", 2015 (Photo credit: Mark Doroba)</image:caption>
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    <image:image>
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      <image:title>Archive - Wild Plant Series</image:title>
      <image:caption>Wild Plant Series Latex on Plantation Ledger Pages Each drawing @ 22" x 13", 2015 (Photo credit: Mark Doroba)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597465720807-JE2MZHLYZ0ECTTGGAK97/Wild+Plant+Unnamed+%237.jpg</image:loc>
      <image:title>Archive - Wild Plant Series</image:title>
      <image:caption>Wild Plant Series Latex on Plantation Ledger Pages Each drawing @ 22" x 13", 2015 (Photo credit: Mark Doroba)</image:caption>
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    <image:image>
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      <image:title>Archive - Wild Plant Series</image:title>
      <image:caption>Installation view as part of my solo exhibition, This Ground Beneath My Feet - A Chorus of Bush in Rab Lands, The Idea Lab, The Warfield Gallery, Austin, Texas, 2016-2017</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/unearthing-voices</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597466421080-LY8U6JPN915TR4GPTO6M/2018-07-26+12.50.02.jpg</image:loc>
      <image:title>Archive - Unearthing Voices</image:title>
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      <image:title>Archive - Unearthing Voices</image:title>
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      <image:title>Archive - Unearthing Voices</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597466484137-9D3G6NSNUFPO5EMW86D7/2018-07-13+11.00.53+HDR.jpg</image:loc>
      <image:title>Archive - Unearthing Voices</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597466432611-2AU62MP2KC630P7C340U/2018-07-26+12.51.05.jpg</image:loc>
      <image:title>Archive - Unearthing Voices</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597466495822-LQ070NX8VH6IZ9T7DK6U/2018-07-26+12.47.55.jpg</image:loc>
      <image:title>Archive - Unearthing Voices</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597466432988-SUYHQZPXD7XW5FCX738E/2018-07-26+12.51.50.jpg</image:loc>
      <image:title>Archive - Unearthing Voices</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597466503164-EK7NHKJGUZO1NBPCPHCN/2018-07-26+12.48.27.jpg</image:loc>
      <image:title>Archive - Unearthing Voices</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597466438943-J294CS9LS9TGPVGC3UPQ/2018-07-26+12.52.16.jpg</image:loc>
      <image:title>Archive - Unearthing Voices</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597466505702-V9QNTI0ETBT6HNVD1IJR/2018-07-26+12.49.09.jpg</image:loc>
      <image:title>Archive - Unearthing Voices</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597466584201-PRI5FSJN7OSKWPMLXV9J/2018-07-11+09.39.03.jpg</image:loc>
      <image:title>Archive - Unearthing Voices</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597466554199-U1GYB9DU4KGA2GHMXNN4/2018-07-11+09.39.12-1.jpg</image:loc>
      <image:title>Archive - Unearthing Voices</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597466580793-GF08P69EW8WSRUGWCYGP/2018-07-11+09.41.19.jpg</image:loc>
      <image:title>Archive - Unearthing Voices</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597466620524-N7IKD4ZWCMU5EORNHH3M/2018-07-11+10.16.19.jpg</image:loc>
      <image:title>Archive - Unearthing Voices</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597466620176-GCY626Z6POFF4WD7L5ND/2018-07-11+10.16.28.jpg</image:loc>
      <image:title>Archive - Unearthing Voices</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597466731649-MBQZS1T3TD86UITB8ATG/2018-07-11+08.21.46.jpg</image:loc>
      <image:title>Archive - Unearthing Voices</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597466717979-L722VIQCW2J0SWHRE81T/2018-07-11+08.29.29.jpg</image:loc>
      <image:title>Archive - Unearthing Voices</image:title>
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    <image:image>
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      <image:title>Archive - Unearthing Voices</image:title>
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    <image:image>
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      <image:title>Archive - Unearthing Voices</image:title>
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    <image:image>
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      <image:title>Archive - Unearthing Voices</image:title>
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    <image:image>
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      <image:title>Archive - Unearthing Voices</image:title>
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    <image:image>
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      <image:title>Archive - Unearthing Voices</image:title>
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  </url>
  <url>
    <loc>https://annaleedavis.com/archive/f-is-for-frances</loc>
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    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
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      <image:title>Archive - F is for Frances</image:title>
      <image:caption>Installation view as part of my solo exhibition, This Ground Beneath My Feet - A Chorus of Bush in Rab Lands, The Idea Lab, The Warfield Gallery, Austin, Texas, 2016-2017</image:caption>
    </image:image>
    <image:image>
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      <image:title>Archive - F is for Frances</image:title>
      <image:caption>Coloured Pencil &amp; Acrylic on Plantation Ledger Pages 154" x 16" 2015 - 2016 (Photo credit: Mark King &amp; Mark Doroba)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597431504116-E9G36PUEXESRBL4PBSH4/_r_.png</image:loc>
      <image:title>Archive - F is for Frances</image:title>
      <image:caption>Coloured Pencil &amp; Acrylic on Plantation Ledger Pages 154" x 16" 2015 - 2016 (Photo credit: Mark King &amp; Mark Doroba)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597431484212-S7OR6Z5GFS8GUHPT3GO8/_a_.png</image:loc>
      <image:title>Archive - F is for Frances</image:title>
      <image:caption>Coloured Pencil &amp; Acrylic on Plantation Ledger Pages 154" x 16" 2015 - 2016 (Photo credit: Mark King &amp; Mark Doroba)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597431499188-X9GTLHY6AJA33S5IDABF/_n_.png</image:loc>
      <image:title>Archive - F is for Frances</image:title>
      <image:caption>Coloured Pencil &amp; Acrylic on Plantation Ledger Pages 154" x 16" 2015 - 2016 (Photo credit: Mark King &amp; Mark Doroba)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597431484216-UDHFS91GWHJS0FSB2QTC/_c_.png</image:loc>
      <image:title>Archive - F is for Frances</image:title>
      <image:caption>Coloured Pencil &amp; Acrylic on Plantation Ledger Pages 154" x 16" 2015 - 2016 (Photo credit: Mark King &amp; Mark Doroba)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597431491446-QI4ECBX1SCMA8VOVLG9B/_e_.png</image:loc>
      <image:title>Archive - F is for Frances</image:title>
      <image:caption>Coloured Pencil &amp; Acrylic on Plantation Ledger Pages 154" x 16" 2015 - 2016 (Photo credit: Mark King &amp; Mark Doroba)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597431505977-K4L6U3643MGYUXLGLP1W/_s_.png</image:loc>
      <image:title>Archive - F is for Frances</image:title>
      <image:caption>Coloured Pencil &amp; Acrylic on Plantation Ledger Pages 154" x 16" 2015 - 2016 (Photo credit: Mark King &amp; Mark Doroba)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598820762543-RS2SSXBBKE8WEPCN9EH9/Installation+View_Dhaka+Art+Summit+2020_LoRes.jpg</image:loc>
      <image:title>Archive - F is for Frances</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/bush-tea-services</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597114466393-2EDD7VSWCWFLILJUGZ4K/Fig.+11.+AnnaLee_Exhibit.10_LoRes.jpg</image:loc>
      <image:title>Archive - (bush) Tea Services</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597114584742-A74Y632N77RXRQSA952A/Fig.+2.+Cerasee+bush+tea.JPG</image:loc>
      <image:title>Archive - (bush) Tea Services</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597114528820-3W76LC2CAHGDKKFZD3FU/West+India+Bay+Leaf.JPG</image:loc>
      <image:title>Archive - (bush) Tea Services</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597114538780-RCQCT1O8HOULMX5NRXKF/Cersasee+Bush.JPG</image:loc>
      <image:title>Archive - (bush) Tea Services</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597114557340-V3ZAC06ZYFJ386P9F3YP/IMG_6476.JPG</image:loc>
      <image:title>Archive - (bush) Tea Services</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597114582744-4JLIQB4DK56I13SIQ4RS/2016-01-27+17.43.35.jpg</image:loc>
      <image:title>Archive - (bush) Tea Services</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597114591986-52S0DOFQV3INFDJ5HMSU/Blue+Vervain_LoRes.jpg</image:loc>
      <image:title>Archive - (bush) Tea Services</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598048296087-YZA8YD9UYHRCF05I649H/ERS-78_LoRes.jpg</image:loc>
      <image:title>Archive - (bush) Tea Services</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598048296625-PL0B2LBBRTCKF5W7H99V/ERS-83_LoRes.jpg</image:loc>
      <image:title>Archive - (bush) Tea Services</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598048305297-PGDEU4L0S6Z4P2CPZOHF/ERS-103_LoRes.jpg</image:loc>
      <image:title>Archive - (bush) Tea Services</image:title>
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    <image:image>
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      <image:title>Archive - (bush) Tea Services</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598048309773-1PQ9O6OFPRRK1X0Y8K29/ERS-309_LoRes.jpg</image:loc>
      <image:title>Archive - (bush) Tea Services</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598048311201-5PKOXAWXZ5NF3RHBP80W/ERS-314_LoRes.jpg</image:loc>
      <image:title>Archive - (bush) Tea Services</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/sweeping-the-fields</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597116110954-FQ5Y95F4MB9S11530CZJ/Sweeping+the+Fields_2_LoRes.jpg</image:loc>
      <image:title>Archive - Sweeping the Fields - Sweeping the Fields</image:title>
      <image:caption>Sweeping the Fields Dimensions variable 2016 (Photo credit: Helen Cammock)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597116112089-R3CL8G34QSSVEJ0M66HP/Sweeping+the+Fields_1_LoRes.jpg</image:loc>
      <image:title>Archive - Sweeping the Fields - Sweeping the Fields</image:title>
      <image:caption>Sweeping the Fields Dimensions variable 2016 (Photo credit: Helen Cammock)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597116121635-03RUVDPFL1XU20T1WQEF/Sweeping+the+Fields_3_LoRes.jpg</image:loc>
      <image:title>Archive - Sweeping the Fields - Sweeping the Fields</image:title>
      <image:caption>Sweeping the Fields Dimensions variable 2016 (Photo credit: Helen Cammock)</image:caption>
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  </url>
  <url>
    <loc>https://annaleedavis.com/archive/312q4ael567pnxbvy946g1cdp5ogcq</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598243114055-6O1OU3MLUVNTTM3CD31A/P1030758.jpg</image:loc>
      <image:title>Archive - Self-recognition: The Shock of Seeing Yourself in the Mirror</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598243187732-ISNP4NQBLMXWFMBW8W28/P1030769.jpg</image:loc>
      <image:title>Archive - Self-recognition: The Shock of Seeing Yourself in the Mirror</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598243225753-PPON0AJZPJHFE9IHNNY9/P1030770.jpg</image:loc>
      <image:title>Archive - Self-recognition: The Shock of Seeing Yourself in the Mirror</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/white-creole-conversations</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597724798279-AUAS1PMVTK4RLV20EFPW/Derek_Maingot.jpg</image:loc>
      <image:title>Archive - White Creole Conversations - Derek Maingot</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597724798732-Q8FXX9RHW5MNCOGWRA49/Matthew+Reilly+site.jpg</image:loc>
      <image:title>Archive - White Creole Conversations - Matthew Reilly</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597724799210-E6UC6GUK2VAMDFHE0XDM/Sharon_Millar.jpg</image:loc>
      <image:title>Archive - White Creole Conversations - Sharon Millar</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597724876590-ABB0R2POY16RF75WP19O/Helen+Klonaris.jpg</image:loc>
      <image:title>Archive - White Creole Conversations - Helen Klonaris</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597727579442-7C7UUIWXOJXTNRT6BOAZ/MONIQUE_ROFFEY.jpg</image:loc>
      <image:title>Archive - White Creole Conversations - Monique Roffey</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597727642348-TJ1929ZHF6ALNNXXFGQ2/Screenshot+2020-08-18+at+1.13.37+AM.png</image:loc>
      <image:title>Archive - White Creole Conversations - Francois Piquet</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597727579443-SEQMHS0X7GW3N0Q1GQAD/Sonay+Sanchez+Arias.jpg</image:loc>
      <image:title>Archive - White Creole Conversations - Sonya Sanchez Arias</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597728105555-PJM60INOKAC7FQSQI76P/Keith+Jardim.jpg</image:loc>
      <image:title>Archive - White Creole Conversations - Keith Jardim</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597728865688-VG4IRS95OPO44R918STG/Karen+Martinez.jpg</image:loc>
      <image:title>Archive - White Creole Conversations - Karen Martinez</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597728866037-VD7M3SEIU23GCGA7C4O4/Pearl+Macek.jpg</image:loc>
      <image:title>Archive - White Creole Conversations - Pearl Macek</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597729832864-QW4YK4EJW20ERI3O5OAN/Diana_McCaulay.jpg</image:loc>
      <image:title>Archive - White Creole Conversations - Diana McCaulay</image:title>
      <image:caption />
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  </url>
  <url>
    <loc>https://annaleedavis.com/archive/stretching-the-tropical</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598229968302-ZMQQ3SQKZP2HSHV8DACW/just-beyond-my-imagination.jpg</image:loc>
      <image:title>Archive - Stretching the Tropical</image:title>
      <image:caption>Annalee Davis, Just Beyond My Imagination (2006–2007). Installation - Indoor/Outdoor carpeting, cast plaster moulds, sand, engraved red carpet, flag pole with embroidered flag, golf ball, 15’w x 12’d x 8’h</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598230058537-K0CVRWCC5T0C8ZL3O4HQ/DEBATES_DAVIS2.jpg</image:loc>
      <image:title>Archive - Stretching the Tropical</image:title>
      <image:caption>Blue Curry, Cement Mixer (2010). Customized cement mixer, 20 litres sun cream</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/xxzxuaw2jtpodl47jniuzirno73qzq</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598308726438-B4SUEPDZEDAEOAK3IEYT/_MG_9736_LoRes.jpg</image:loc>
      <image:title>Archive - Walkers - 1667 to present</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598308729204-6VICQ9DJX9TRJHDQDUST/_MG_9739_LoRes.jpg</image:loc>
      <image:title>Archive - Walkers - 1667 to present</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598308737971-AT7JGN68LVCO3RUFSU4T/_MG_9743_LoRes.jpg</image:loc>
      <image:title>Archive - Walkers - 1667 to present</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598308743279-REDF6MSVW38VZTZNZDOB/_MG_9744_LoRes.jpg</image:loc>
      <image:title>Archive - Walkers - 1667 to present</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598308753252-FZM4A9K168I94884EX0J/_MG_9746_LoRes.jpg</image:loc>
      <image:title>Archive - Walkers - 1667 to present</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598308753417-3PJ1H6GLEP1TJEITC4ER/_MG_9754_LoRes.jpg</image:loc>
      <image:title>Archive - Walkers - 1667 to present</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598308762934-8J1EQ7919DMOVZDMHNUV/_MG_9757_LoRes.jpg</image:loc>
      <image:title>Archive - Walkers - 1667 to present</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598308765970-SNU01IR5XU77P02G4ZGY/_MG_9760_LoRes.jpg</image:loc>
      <image:title>Archive - Walkers - 1667 to present</image:title>
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  </url>
  <url>
    <loc>https://annaleedavis.com/archive/94p6orqukixbiihq7ninx5sikyf4hc</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598240849032-ZFQQD6IZV8TW4DNCJ2ZN/cyprus_00.jpg</image:loc>
      <image:title>Archive - Notions of common/wealth versus single/wealth</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598240884835-YLWSPP1ISEK677KTN41V/cyprus_01.jpg</image:loc>
      <image:title>Archive - Notions of common/wealth versus single/wealth</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598242175877-UPE1O441CPBW1YX952UX/cyprus_02.jpg</image:loc>
      <image:title>Archive - Notions of common/wealth versus single/wealth</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598242198687-N59XRCGH8SC4216KX5VS/cyprus_03.jpg</image:loc>
      <image:title>Archive - Notions of common/wealth versus single/wealth</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/unrecognised-affinities</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598229028360-7H4ANOKGL1NZFJU3B1Q0/1146580_10202513125654534_787600937_n.jpg</image:loc>
      <image:title>Archive - Unrecognised Affinities</image:title>
      <image:caption>Panel on Hospitality and the Politics of Mobility. Participants from L-R: Annalee Davis, Aaron Cezar, Amilcar Packer and Koyo Kouoh. Image courtesy of Sabrina Moura</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598229123618-937L8KMOV4IRLEZPBI4Q/The-Fresh-Milk-Studio.-Photograph-by-Mark-King.jpg</image:loc>
      <image:title>Archive - Unrecognised Affinities</image:title>
      <image:caption>The Fresh Milk Studio. Photograph by Mark King</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598229222118-BOZ2M1MTN41TS1WM6AVW/1469839_10202513125014518_1085451465_n.jpg</image:loc>
      <image:title>Archive - Unrecognised Affinities</image:title>
      <image:caption>Panel on Hospitality and the Politics of Mobility. Participants from L-R: Anznalee Davis, Aaron Cezar, Amilcar Packer and Koyo Kouoh. Image courtesy of Sabrina Moura</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598229529520-9GUHKIIJQ2DTLWIVWMEG/dsc_0204.jpg</image:loc>
      <image:title>Archive - Unrecognised Affinities</image:title>
      <image:caption>The Colleen Lewis Reading Room.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/portraits-of-a-white-creole-family</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597645882889-G1GTDQF2OXXJMTZ5W5KL/group_field1.jpg</image:loc>
      <image:title>Archive - Portraits of a White Creole Family</image:title>
      <image:caption>Portraits of a white Creole Family, Barbados, circa 21st century Now You See Me, Now You Don’t (2013) Evergreen wooden bases, pine dowels, 5" x 7" laser engraved/cut-out acrylic portraits. Dimensions Variable</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598626773633-AU58FWN8Z9Z29EQ9Q9DN/field_annalee.jpg</image:loc>
      <image:title>Archive - Portraits of a White Creole Family</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598626773633-XKBZH0L3KGJMW5XNXJR7/field_barb.jpg</image:loc>
      <image:title>Archive - Portraits of a White Creole Family</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598626778113-QQQ47B9T5OF2LHYH7Z8A/field_maureen.jpg</image:loc>
      <image:title>Archive - Portraits of a White Creole Family</image:title>
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    <image:image>
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      <image:title>Archive - Portraits of a White Creole Family</image:title>
    </image:image>
    <image:image>
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      <image:title>Archive - Portraits of a White Creole Family</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598626785820-2Y3E2NPY4TS3CFDUN0UK/group_field2.jpg</image:loc>
      <image:title>Archive - Portraits of a White Creole Family</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/kcnjj8x45xgg75hk1h0mbzg1dt230i</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-02</lastmod>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/a-visual-essay-art-building-community</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598231137907-MOBL8107JUW862PJRQXO/LABarbata+Jumbies_Occupy_Wall_St.4.com-6025+copy.jpg</image:loc>
      <image:title>Archive - A Visual Essay – Art Building Community</image:title>
      <image:caption>Laura Anderson Barbata, 'Jumbies,' 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598231300733-KWAVS7T3GVDM2IQVVJLO/mark_king_step2_LoRes.jpg</image:loc>
      <image:title>Archive - A Visual Essay – Art Building Community</image:title>
      <image:caption>Mark King, 'Call and Response Series,' 2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598231403312-8VCEJSSUVPEWKJT51TOH/9+of+219+_+Ebony+Patterson+_+Trinidad_2011%281%29.jpg</image:loc>
      <image:title>Archive - A Visual Essay – Art Building Community</image:title>
      <image:caption>Ebony G. Patterson, Artist in residence at Alice Yard, Trinidad</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598231448452-GUGXNVFT6YJKR1OI4I54/Sheena+Rose+Sweet+Gossip+3.jpg</image:loc>
      <image:title>Archive - A Visual Essay – Art Building Community</image:title>
      <image:caption>Sheena Rose, 'Sweet Gossip Series,' 2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598231483503-AHGUKJAY35YS02EWMYI3/Adele+Todd+Police+%26+tief+4.jpg</image:loc>
      <image:title>Archive - A Visual Essay – Art Building Community</image:title>
      <image:caption>Adele Todd, 'Police and Tief', 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598231570617-U1QN5UXOOT6P9MYN1NSL/Rodell_Warner_Closer_POS_2009_IMG_2497.jpg</image:loc>
      <image:title>Archive - A Visual Essay – Art Building Community</image:title>
      <image:caption>Rodell Warner, 'Common Room,' 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598231628725-XP8U35BCNUI5PFP7WL6I/A.+Whittle+Pikswart+3.jpg</image:loc>
      <image:title>Archive - A Visual Essay – Art Building Community</image:title>
      <image:caption>Alberta Whittle,'Pikswart,' 2012</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/signs-of-the-times</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597103183550-F7PX5JE8LDRQT3BF4ZBF/keshan_LoRes.jpg</image:loc>
      <image:title>Archive - Signs of the Times</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597103181876-NBK4CO8CHWV4JJLZDUXK/leslie_LoRes.jpg</image:loc>
      <image:title>Archive - Signs of the Times</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597103186255-6LONSESIU49UDP4EN1MK/abikie_LoRes.jpg</image:loc>
      <image:title>Archive - Signs of the Times</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597103187148-QWI8X2IX7ZVK656OC39W/leslie_romell_LoRes.jpg</image:loc>
      <image:title>Archive - Signs of the Times</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598021333141-J7T8MJ49QASJ60JFB3EF/immigration2.jpg</image:loc>
      <image:title>Archive - Signs of the Times</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598021341263-ZICJEA9ZE4XIENLY593N/immigration3.jpg</image:loc>
      <image:title>Archive - Signs of the Times</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598021340192-7E2LJ9LD5DPI1FYZBR8H/rommell1_web.jpg</image:loc>
      <image:title>Archive - Signs of the Times</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598021345128-Y0YSILWS99UYKR2LN78E/rommell2_web.jpg</image:loc>
      <image:title>Archive - Signs of the Times</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/the-work-of-jasmine-thomas-girvan-seen-through-the-lens-of-magical-realism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598232718048-US8ZFK5B7XH0FDSWXQD9/534314_442826389062440_1858593999_n.jpg</image:loc>
      <image:title>Archive - The Work of Jasmine Thomas-Girvan seen through the lens of Magical Realism</image:title>
      <image:caption>Annalee Davis presenting at Medulla Art Gallery. Image by Kibwe Brathwaite.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598232921843-JEG7UIQO8S5BRV1D0NHA/Jasmine-Thomas-Girvan-Gary-Jordan-%C2%A92012-2-2.jpg</image:loc>
      <image:title>Archive - The Work of Jasmine Thomas-Girvan seen through the lens of Magical Realism</image:title>
      <image:caption>Anancy – Ring and Box, Silver and Bronze. All images courtesy Jasmine Thomas-Girvan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598233031689-8XD8C5T3UKA1YSEKNRMV/Jasmine-Thomas-Girvan-Gary-Jordan-%C2%A92012-5.jpg</image:loc>
      <image:title>Archive - The Work of Jasmine Thomas-Girvan seen through the lens of Magical Realism</image:title>
      <image:caption>Finding the Stone (detail)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598233093304-5UD3FCOPJ4UEMRHATA03/Jasmine-Thomas-Girvan-Gary-Jordan-%C2%A92012-3-2.jpg</image:loc>
      <image:title>Archive - The Work of Jasmine Thomas-Girvan seen through the lens of Magical Realism</image:title>
      <image:caption>Finding the Stone</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598233557176-S8U5FG1GYYJVBIZVCIBE/Jasmine-Thomas-Girvan-Gary-Jordan-%C2%A92012-.jpg</image:loc>
      <image:title>Archive - The Work of Jasmine Thomas-Girvan seen through the lens of Magical Realism</image:title>
      <image:caption>Tower of Victory</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598233849689-ML6FN2S3NBKPVZ02PL28/Jasmine-Thomas-Girvan-Gary-Jordan-%C2%A92012-2.jpg</image:loc>
      <image:title>Archive - The Work of Jasmine Thomas-Girvan seen through the lens of Magical Realism</image:title>
      <image:caption>Tower of Victory- Open</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598239217010-PGWCFEBADPH07WDHS16Z/Jasmine-Thomas-Girvan-Gary-Jordan-%C2%A92012-2-3.jpg</image:loc>
      <image:title>Archive - The Work of Jasmine Thomas-Girvan seen through the lens of Magical Realism</image:title>
      <image:caption>Saved</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/has-the-plantation-complex-fallen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/19jdosh0rzekmjexbhqeyrczzhpx6n</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/xe9xyuz8kfqo9fy4codva3jjsg5ql3</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-29</lastmod>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/show-me-your-status</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597101085841-GM0TRGC9ZMAQVZ245KNE/showme.jpg</image:loc>
      <image:title>Archive - Show me your status</image:title>
      <image:caption>Show Me Your Status (2010) Object with sound - mini bus (built by Anderson Chase), sound work 2:91 minutes (Mixed by Kite) 18"(D) x 8"(W) x 10"(H)                                               (Photo Credit – Dan Christaldi)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/public-beach-access</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597100785774-OJX0R1YT9BQVMQKOI2A7/PublicBeachAccess.8_300.jpg</image:loc>
      <image:title>Archive - Public Beach Access</image:title>
      <image:caption>Public Beach Access Stills from video. Video Installation 8:39 minutes. Shot and Edited by Omar Estrada. 2010 (Photo Credit: Alexandra Majerus)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597100782324-TM81TJ2MOLDDUXM06GPE/PublicBeachAccess.5_300.jpg</image:loc>
      <image:title>Archive - Public Beach Access</image:title>
      <image:caption>Public Beach Access Stills from video. Video Installation 8:39 minutes. Shot and Edited by Omar Estrada. 2010 (Photo Credit: Alexandra Majerus)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597100809671-STUM40WTF8OYVVMSPA2X/PublicBeachAccess.6_300.jpg</image:loc>
      <image:title>Archive - Public Beach Access</image:title>
      <image:caption>Public Beach Access Stills from video. Video Installation 8:39 minutes. Shot and Edited by Omar Estrada. 2010 (Photo Credit: Alexandra Majerus)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597100815885-2TS1Y3AHYW98QZAJR4E5/PublicBeachAccess.3_300.jpg</image:loc>
      <image:title>Archive - Public Beach Access</image:title>
      <image:caption>Public Beach Access Stills from video. Video Installation 8:39 minutes. Shot and Edited by Omar Estrada. 2010 (Photo Credit: Alexandra Majerus)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597100832781-IOD4XNA8YF9SVOVSOPKS/PublicBeachAccess.2_300.jpg</image:loc>
      <image:title>Archive - Public Beach Access</image:title>
      <image:caption>Public Beach Access Stills from video. Video Installation 8:39 minutes. Shot and Edited by Omar Estrada. 2010 (Photo Credit: Alexandra Majerus)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/caution</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598305415504-TQ0EGP4T3BJ3V35BECNX/Caution1.jpg</image:loc>
      <image:title>Archive - Caution!!</image:title>
      <image:caption>Caution!! (2009-2011) Suite of digital prints installed at various site in Bridgetown, the capital city of Barbados (Photo credit: Mark King)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598305427229-T3Q9Z7S18VZPCKNB29LY/Caution3.jpg</image:loc>
      <image:title>Archive - Caution!!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598305415747-8GST6UD36MX0OTQSFAI6/caution2.jpg</image:loc>
      <image:title>Archive - Caution!!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598305427114-YFCZWRT2X15NO6EA74L9/Caution4.jpg</image:loc>
      <image:title>Archive - Caution!!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598305427707-LJ15PN58J28F05G96D7I/Caution5.jpg</image:loc>
      <image:title>Archive - Caution!!</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/mte44llzcvgb20c703yl868rprqct7</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597113609828-IGCJI3U7QO5VFW2R1PFI/716C6LBUDAL_LoRes.png</image:loc>
      <image:title>Archive - Colonial Blackness</image:title>
      <image:caption>Putting on My Blackness Relief Print (1987)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/hatchlings-a-requiem</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597098032264-2P7PEHB98K6N77T9WNAN/Hatchlings-A+Requiem+detail_LoRes.jpg</image:loc>
      <image:title>Archive - Hatchlings – A Requiem</image:title>
      <image:caption>Installation - Velvet, shredded Revised Treaty of Chaguaramas, fifteen nests, acrylic on fifteen chicken eggs. 13"(W) x 12'(D) x 35"(H)     Composed and Arranged by Jomo Slusher, Vocals by Stephanie Davis                                            (Photo Credit – Dan Christaldi)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597672941440-JHA9S6LQJVVAWNNCEN70/Hatchlings-A+Requiem_LoRes.jpg</image:loc>
      <image:title>Archive - Hatchlings – A Requiem</image:title>
      <image:caption>Installation - Velvet, shredded Revised Treaty of Chaguaramas, fifteen nests, acrylic on fifteen chicken eggs. 13"(W) x 12'(D) x 35"(H)     Composed and Arranged by Jomo Slusher, Vocals by Stephanie Davis                                            (Photo Credit – Dan Christaldi)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/thoughts-on-prime-minister-thompsons-new-amnesty</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/1dx2mif5v3ujxq8lsrag61wsn92deo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/caribbean-journeys</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598046470057-UVMPOY6QUJ1APMLGUCDQ/DAN_2334_LoRes.png</image:loc>
      <image:title>Archive - Caribbean Journeys</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/sweet-island-cookie-cutters-sweet-fuh-so</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597384507607-ZGGNKFJXPOGG9GZIIARZ/PAMM_Caribbean_MG_9333.jpg</image:loc>
      <image:title>Archive - Sweet Island Cookie Cutters – Sweet Fuh So!</image:title>
      <image:caption>Sweet Island Cookie Cutters – Sweet Fuh So! Seven Acrylic cookie cutters, indoor/outdoor carpet and laser engraved andiroba boxes 7.75″ x 7.75″ x 2″, 2012 (Image courtesy PAMM)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597384507246-0TGB4VUIAT1B9VLWDQG4/PAMM_Caribbean_MG_9329.jpg</image:loc>
      <image:title>Archive - Sweet Island Cookie Cutters – Sweet Fuh So!</image:title>
      <image:caption>Sweet Island Cookie Cutters – Sweet Fuh So! Seven Acrylic cookie cutters, indoor/outdoor carpet and laser engraved andiroba boxes 7.75″ x 7.75″ x 2″, 2012 (Image courtesy PAMM)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597384515261-ESP6250000AAITFORTII/PAMM_Caribbean_MG_9328.jpg</image:loc>
      <image:title>Archive - Sweet Island Cookie Cutters – Sweet Fuh So!</image:title>
      <image:caption>Sweet Island Cookie Cutters – Sweet Fuh So! Seven Acrylic cookie cutters, indoor/outdoor carpet and laser engraved andiroba boxes 7.75″ x 7.75″ x 2″, 2012 (Image courtesy PAMM)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597384514953-C9LKTHKUG5BRVJAW88P0/PAMM_Caribbean_MG_9322.jpg</image:loc>
      <image:title>Archive - Sweet Island Cookie Cutters – Sweet Fuh So!</image:title>
      <image:caption>Sweet Island Cookie Cutters – Sweet Fuh So! Seven Acrylic cookie cutters, indoor/outdoor carpet and laser engraved andiroba boxes 7.75″ x 7.75″ x 2″, 2012 (Image courtesy PAMM)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597384522888-PZY2ARDDIQU9RII56HE9/PAMM_Caribbean_MG_9319.jpg</image:loc>
      <image:title>Archive - Sweet Island Cookie Cutters – Sweet Fuh So!</image:title>
      <image:caption>Sweet Island Cookie Cutters – Sweet Fuh So! Seven Acrylic cookie cutters, indoor/outdoor carpet and laser engraved andiroba boxes 7.75″ x 7.75″ x 2″, 2012 (Image courtesy PAMM)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597384536600-ERPPYVJZ1O29KBYV3U8Y/cookie_cutter_golf1.jpg</image:loc>
      <image:title>Archive - Sweet Island Cookie Cutters – Sweet Fuh So!</image:title>
      <image:caption>Sweet Island Cookie Cutters – Sweet Fuh So! Seven Acrylic cookie cutters, indoor/outdoor carpet and laser engraved andiroba boxes 7.75″ x 7.75″ x 2″, 2012 (Image courtesy PAMM)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597384538133-5PKUH21UG5KTTAYVRGZA/cookie_cutter_golf2.jpg</image:loc>
      <image:title>Archive - Sweet Island Cookie Cutters – Sweet Fuh So!</image:title>
      <image:caption>Sweet Island Cookie Cutters – Sweet Fuh So! Seven Acrylic cookie cutters, indoor/outdoor carpet and laser engraved andiroba boxes 7.75″ x 7.75″ x 2″, 2012 (Image courtesy PAMM)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597384555356-PEKNX82IBAPU0XB7Q7LD/cookie_cutter_barbados1.jpg</image:loc>
      <image:title>Archive - Sweet Island Cookie Cutters – Sweet Fuh So!</image:title>
      <image:caption>Sweet Island Cookie Cutters – Sweet Fuh So! Seven Acrylic cookie cutters, indoor/outdoor carpet and laser engraved andiroba boxes 7.75″ x 7.75″ x 2″, 2012 (Image courtesy PAMM)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597384558492-U6HT59RCR9JC35GJ6RME/cookie_cutter_barbados2.jpg</image:loc>
      <image:title>Archive - Sweet Island Cookie Cutters – Sweet Fuh So!</image:title>
      <image:caption>Sweet Island Cookie Cutters – Sweet Fuh So! Seven Acrylic cookie cutters, indoor/outdoor carpet and laser engraved andiroba boxes 7.75″ x 7.75″ x 2″, 2012 (Image courtesy PAMM)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597384571020-ZFR14JPS9Q9AJ4UXGBE2/cookie_cutter_cocktail1.jpg</image:loc>
      <image:title>Archive - Sweet Island Cookie Cutters – Sweet Fuh So!</image:title>
      <image:caption>Sweet Island Cookie Cutters – Sweet Fuh So! Seven Acrylic cookie cutters, indoor/outdoor carpet and laser engraved andiroba boxes 7.75″ x 7.75″ x 2″, 2012 (Image courtesy PAMM)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597384581494-UE5UNMOY89LY6X8QCD7D/cookie_cutter_cocktail2.jpg</image:loc>
      <image:title>Archive - Sweet Island Cookie Cutters – Sweet Fuh So!</image:title>
      <image:caption>Sweet Island Cookie Cutters – Sweet Fuh So! Seven Acrylic cookie cutters, indoor/outdoor carpet and laser engraved andiroba boxes 7.75″ x 7.75″ x 2″, 2012 (Image courtesy PAMM)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597384592776-S3RVUAH3M80BTL9N5TBQ/group_open.jpg</image:loc>
      <image:title>Archive - Sweet Island Cookie Cutters – Sweet Fuh So!</image:title>
      <image:caption>Sweet Island Cookie Cutters – Sweet Fuh So! Seven Acrylic cookie cutters, indoor/outdoor carpet and laser engraved andiroba boxes 7.75″ x 7.75″ x 2″, 2012 (Image courtesy PAMM)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597384606143-6FC7YFGGS0APAFXK0DUS/cookie_cutter_polo1.jpg</image:loc>
      <image:title>Archive - Sweet Island Cookie Cutters – Sweet Fuh So!</image:title>
      <image:caption>Sweet Island Cookie Cutters – Sweet Fuh So! Seven Acrylic cookie cutters, indoor/outdoor carpet and laser engraved andiroba boxes 7.75″ x 7.75″ x 2″, 2012 (Image courtesy PAMM)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597384611113-WI1G71VDOA03OJ1XLXWW/cookie_cutter_polo2.jpg</image:loc>
      <image:title>Archive - Sweet Island Cookie Cutters – Sweet Fuh So!</image:title>
      <image:caption>Sweet Island Cookie Cutters – Sweet Fuh So! Seven Acrylic cookie cutters, indoor/outdoor carpet and laser engraved andiroba boxes 7.75″ x 7.75″ x 2″, 2012 (Image courtesy PAMM)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597384622222-BVUWAYI4C0WMVC3745IQ/group_closed.jpg</image:loc>
      <image:title>Archive - Sweet Island Cookie Cutters – Sweet Fuh So!</image:title>
      <image:caption>Sweet Island Cookie Cutters – Sweet Fuh So! Seven Acrylic cookie cutters, indoor/outdoor carpet and laser engraved andiroba boxes 7.75″ x 7.75″ x 2″, 2012 (Image courtesy PAMM)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597384631395-EJ47R288WBJK86DQVOQV/cookie_cutter_sailboat1.jpg</image:loc>
      <image:title>Archive - Sweet Island Cookie Cutters – Sweet Fuh So!</image:title>
      <image:caption>Sweet Island Cookie Cutters – Sweet Fuh So! Seven Acrylic cookie cutters, indoor/outdoor carpet and laser engraved andiroba boxes 7.75″ x 7.75″ x 2″, 2012 (Image courtesy PAMM)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597384637200-1ZYXAP4QM5MGLTE3MJPF/cookie_cutter_sailboat2.jpg</image:loc>
      <image:title>Archive - Sweet Island Cookie Cutters – Sweet Fuh So!</image:title>
      <image:caption>Sweet Island Cookie Cutters – Sweet Fuh So! Seven Acrylic cookie cutters, indoor/outdoor carpet and laser engraved andiroba boxes 7.75″ x 7.75″ x 2″, 2012 (Image courtesy PAMM)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/just-beyond-my-imagination</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597088658371-59IE2T4ZBL0UDPXXHH0J/just-beyond-my-imagination.jpg</image:loc>
      <image:title>Archive - Just beyond My Imagination</image:title>
      <image:caption>Just Beyond My Imagination  (2006/2007) Indoor/Outdoor carpeting, cast plaster moulds, sand, engraved red carpet, flag pole with embroidered flag, golf ball. (Photo credit: Remy Jungerman)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597088521690-DI39FZ6647L7TB6ESMLQ/Annalee+Golf+Flag_LoRes.jpg</image:loc>
      <image:title>Archive - Just beyond My Imagination</image:title>
      <image:caption>Just Beyond My Imagination Detail  (2006/2007) Indoor/Outdoor carpeting, cast plaster moulds, sand, engraved red carpet, flag pole with embroidered flag, golf ball. (Photo credit: Remy Jungerman)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597088487561-3DZ881HLQ6X1TMZKYMC6/Just+Beyond+My+Imagination+-+Mat+detail_LoRes.jpg</image:loc>
      <image:title>Archive - Just beyond My Imagination</image:title>
      <image:caption>Just Beyond My Imagination Detail (2006/2007) Indoor/Outdoor carpeting, cast plaster moulds, sand, engraved red carpet, flag pole with embroidered flag, golf ball. (Photo credit: Remy Jungerman)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/4ffcb08a-9bd5-4d6f-8dcd-213d5a667704/WhatsApp+Image+2021-12-13+at+1.11.18+PM.jpeg</image:loc>
      <image:title>Archive - Just beyond My Imagination - Make it stand out</image:title>
      <image:caption>Infinite Island: Contemporary Caribbean Art, August 31, 2007 through January 27, 2008 (Image Courtesy Brooklyn Museum, 2007)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/on-the-map-documentary-film</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597091819856-SDRCBU58G7VW7G4SUMZN/01Claude-2.jpg</image:loc>
      <image:title>Archive - On the Map</image:title>
      <image:caption>On The Map Experimental Documentary 30 minutes, 2006 - 2007 Director: Annalee Davis Director of Photography &amp; Editor: Omar Estrada</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597091822999-MZ5QGQMM86YWJIFWLBVN/02Melissa-1_LoRes.jpg</image:loc>
      <image:title>Archive - On the Map</image:title>
      <image:caption>On The Map Experimental Documentary 30 minutes, 2006 - 2007 Director: Annalee Davis Director of Photography &amp; Editor: Omar Estrada</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597091822537-RKYYVCO8NADVZTEK5OWE/03Sandra-3_LoRes.jpg</image:loc>
      <image:title>Archive - On the Map</image:title>
      <image:caption>On The Map Experimental Documentary 30 minutes, 2006 - 2007 Director: Annalee Davis Director of Photography &amp; Editor: Omar Estrada</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597091825792-JTTXAO6G9DG2XYQMOJB0/04Sean-4_LoRes.jpg</image:loc>
      <image:title>Archive - On the Map</image:title>
      <image:caption>On The Map Experimental Documentary 30 minutes, 2006 - 2007 Director: Annalee Davis Director of Photography &amp; Editor: Omar Estrada</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597091826235-VZ29C8MHO61TFHARV2EY/Nidos+2_LoRes.jpg</image:loc>
      <image:title>Archive - On the Map</image:title>
      <image:caption>On The Map Experimental Documentary 30 minutes, 2006 - 2007 Director: Annalee Davis Director of Photography &amp; Editor: Omar Estrada</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597091826317-IUZZPRKV9IQPJ3XUGM7K/OnTheMap+BIrds%2C+Sand+_+Sea_LoRes.jpg</image:loc>
      <image:title>Archive - On the Map</image:title>
      <image:caption>On The Map Experimental Documentary 30 minutes, 2006 - 2007 Director: Annalee Davis Director of Photography &amp; Editor: Omar Estrada</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597091827400-OFXZCZOSN6CQYRB84X5Q/Planted+Houses+251511_LoRes.jpg</image:loc>
      <image:title>Archive - On the Map</image:title>
      <image:caption>On The Map Experimental Documentary 30 minutes, 2006 - 2007 Director: Annalee Davis Director of Photography &amp; Editor: Omar Estrada</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597091827822-E5CX2QIDGXQUNX71FTV0/Sean+Plants+Houses+251318_LoRes.jpg</image:loc>
      <image:title>Archive - On the Map</image:title>
      <image:caption>On The Map Experimental Documentary 30 minutes, 2006 - 2007 Director: Annalee Davis Director of Photography &amp; Editor: Omar Estrada</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597091827938-BNOPMBSY0KVXQBEFPABX/_BIrd+_+Palm+A+245423_LoRes.jpg</image:loc>
      <image:title>Archive - On the Map</image:title>
      <image:caption>On The Map Experimental Documentary 30 minutes, 2006 - 2007 Director: Annalee Davis Director of Photography &amp; Editor: Omar Estrada</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/what-matters</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597087161988-FL00NDCO6CS7K4XQ69W9/WhatMatters_LoRes.jpg</image:loc>
      <image:title>Archive - What Matters</image:title>
      <image:caption>What Matters (2005) Repurposed steel bowls and chai 28”(H) x 36’’(W) x 14”(D)          (Photo Credit – Yasser Fernandez)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/emphatic-design-l3k84</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597000410830-695BXM6WUUFO0QQQPWLW/BARBADOS+IN+A+NUTSHELL-ch_LoRes.jpg</image:loc>
      <image:title>Archive - Barbados in a Nutshell</image:title>
      <image:caption>Barbados in a Nutshell (2002) Acrylic cabinet, limestone rocks, soil, sugar, sugar cane, porcelain tea cup, bottles of rum, golf balls, die, camera, tourist brochure, souvenir, holy bible, Barbados $2.00 bill, USA$1.00 bill, peanut shells 84”(H) x 16”(W) x 16”(D) National Art Gallery Collection, Bay House, Bay Street, St. Michael, Barbados. (Photo Credit - Ronnie Carrington)</image:caption>
    </image:image>
    <image:image>
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      <image:title>Archive - Barbados in a Nutshell</image:title>
      <image:caption>Barbados in a Nutshell FOR SALE sign, maps from the seventeenth, eighteenth and twentieth centuries, audio. 84”(H) x 16”(W) x 16”(D), 2002 National Art Gallery Collection, Bay House, Bay Street, St. Michael, Barbados. (Photo Credit - Ronnie Carrington)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598048659139-HC9O7FOVDAMEQB0W282D/30_LoRes.jpg</image:loc>
      <image:title>Archive - Barbados in a Nutshell</image:title>
      <image:caption>Barbados in a Nutshell FOR SALE sign, maps from the seventeenth, eighteenth and twentieth centuries, audio. 84”(H) x 16”(W) x 16”(D), 2002 National Art Gallery Collection, Bay House, Bay Street, St. Michael, Barbados. (Photo Credit - Ronnie Carrington)</image:caption>
    </image:image>
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  <url>
    <loc>https://annaleedavis.com/archive/b28pvxog7s5fuq6b192exvx8ae8o1n</loc>
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    <lastmod>2020-09-03</lastmod>
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      <image:title>Archive - Creole Madonna</image:title>
      <image:caption>Creole Madonna (2002) Pencil and Acrylic on Hardboard, Dupioni silk 9”(H) x 12”(W) Two sections of the suite - The Serena and Ron Jones Collection. (Photo Credit: Dan Christaldi)</image:caption>
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    <image:image>
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      <image:title>Archive - Creole Madonna</image:title>
      <image:caption>Creole Madonna Pencil and Acrylic on Hardboard, Dupioni silk 9”(H) x 12”(W), 2002 (Photo Credit: Dan Christaldi)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597469586634-8VBH3ZHBTLP35ANG7EV8/Creole+Madonna+2+copy.jpg</image:loc>
      <image:title>Archive - Creole Madonna</image:title>
      <image:caption>Creole Madonna Pencil and Acrylic on Hardboard, Dupioni silk 9”(H) x 12”(W), 2002 (Photo Credit: Dan Christaldi)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597469591612-83JGFZPQ4DIEA7HU6ZZR/Creole+Madonna+3+copy.jpg</image:loc>
      <image:title>Archive - Creole Madonna</image:title>
      <image:caption>Creole Madonna Pencil and Acrylic on Hardboard, Dupioni silk 9”(H) x 12”(W), 2002 (Photo Credit: Dan Christaldi)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597469594702-1CVZR4I8X7JZF3T4EUJ9/Creole+Madonna+Full+copy.jpg</image:loc>
      <image:title>Archive - Creole Madonna</image:title>
      <image:caption>Creole Madonna Pencil and Acrylic on Hardboard, Dupioni silk 9”(H) x 12”(W), 2002 (Photo Credit: Dan Christaldi)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598021646088-EB9Z1V4P6O2E7RW7QZSG/Creola%2BMadonna%2Bat%2BZemicon%2BGallery%2B001.jpg</image:loc>
      <image:title>Archive - Creole Madonna</image:title>
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    <image:image>
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      <image:title>Archive - Creole Madonna</image:title>
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    <image:image>
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      <image:title>Archive - Creole Madonna</image:title>
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    <loc>https://annaleedavis.com/archive/coming-home-to-the-self</loc>
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    <lastmod>2020-09-03</lastmod>
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    <loc>https://annaleedavis.com/archive/everyday-beauty-jdggz</loc>
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    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
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      <image:title>Archive - Evocations of a Caribbean</image:title>
      <image:caption>Evocations of a Caribbean (2001) Cuccinia grandes, Tonka Bean, Mahogany and drift wood with acrylic paint. 14”(H) x 20”(W) x 3”(D) National Art Gallery Collection, Bay House, Bay Street, St. Michael, Barbados (Photo Credit - Jeffrey Bishop)</image:caption>
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    <image:image>
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      <image:title>Archive - Evocations of a Caribbean</image:title>
      <image:caption>Evocations of a Caribbean Detail (2001) Cuccinia grandes, Tonka Bean, Mahogany and drift wood with acrylic paint. 14”(H) x 20”(W) x 3”(D) National Art Gallery Collection, Bay House, Bay Street, St. Michael, Barbados (Photo Credit - Jeffrey Bishop)</image:caption>
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  </url>
  <url>
    <loc>https://annaleedavis.com/archive/from-knots-to-medals</loc>
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    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
    <image:image>
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      <image:title>Archive - From Knots to Medals</image:title>
      <image:caption>From Knots to Medals: Medals (1999-2001) Pencil on Paper, pencil, acrylic, fabric on board. (Photo Credit – Abigail Hadeed)</image:caption>
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    <image:image>
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      <image:caption>From Knots to Medals: Touching the Void (1999-2001) Pencil on Paper, pencil, acrylic, fabric on board. (Photo Credit – Abigail Hadeed)</image:caption>
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    <image:image>
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      <image:caption>From Knots to Medals: Trying to find my Centre (1999-2001) Pencil on Paper, pencil, acrylic, fabric on board. (Photo Credit – Abigail Hadeed)</image:caption>
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    <image:image>
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      <image:caption>From Knots to Medals: Drinking my Own Milk (1999-2001) Pencil on Paper, pencil, acrylic, fabric on board. (Photo Credit – Abigail Hadeed)</image:caption>
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    <image:image>
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      <image:caption>From Knots to Medals: Letting Go(1999-2001) Pencil on Paper, pencil, acrylic, fabric on board. (Photo Credit – Abigail Hadeed)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598039130890-EDK36J2ODMTHNEBJSOFC/KNOTTY+HEAD+sm_LoRes.jpg</image:loc>
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      <image:caption>From Knots to Medals: Knotty Head (1999-2001) Pencil on Paper, pencil, acrylic, fabric on board. (Photo Credit – Abigail Hadeed)</image:caption>
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  <url>
    <loc>https://annaleedavis.com/archive/an-alliteration-a-sacred-soliloquy-and-a-somewhat-sonnet</loc>
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    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
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      <image:caption>An Alliteration, A Sacred Soliloquy and A Somewhat Sonnet (1997) Plastic sheeting, wedding clothes, wooden house, text, rocking chair, baby’s clothes, strips of knotted cotton fabric, wirehouses. Dimensions Variable</image:caption>
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    <image:image>
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      <image:caption>An Alliteration, A Sacred Soliloquy and A Somewhat Sonnet (1997) Plastic sheeting, wedding clothes, wooden house, text, rocking chair, baby’s clothes, strips of knotted cotton fabric, wirehouses. Dimensions Variable</image:caption>
    </image:image>
    <image:image>
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      <image:title>Archive - An Alliteration, A Sacred Soliloquy and A Somewhat Sonnet</image:title>
      <image:caption>An Alliteration, A Sacred Soliloquy and A Somewhat Sonnet (1997) Plastic sheeting, wedding clothes, wooden house, text, rocking chair, baby’s clothes, strips of knotted cotton fabric, wirehouses. Dimensions Variable</image:caption>
    </image:image>
    <image:image>
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      <image:title>Archive - An Alliteration, A Sacred Soliloquy and A Somewhat Sonnet</image:title>
      <image:caption>An Alliteration, A Sacred Soliloquy and A Somewhat Sonnet (1997) Plastic sheeting, wedding clothes, wooden house, text, rocking chair, baby’s clothes, strips of knotted cotton fabric, wirehouses. Dimensions Variable</image:caption>
    </image:image>
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    <loc>https://annaleedavis.com/archive/the-land-of-mine-past-present-and-future</loc>
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    <lastmod>2021-12-08</lastmod>
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      <image:caption>This Land of Mine: Past, Present &amp; Future (1997) Suite of Twelve Relief Prints. Full suite 5'(H) x 4'6"(W) Peter Lewis Collection Bonnie Cole-Wilson Collection William Abbott Collection National Art Gallery Collection, Bay House, Bay Street, St. Michael, Barbados. (Photo Credit: Dan Christaldi)</image:caption>
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    <image:image>
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      <image:caption>This Land of Mine: Past, Present &amp; Future (1997) Suite of Twelve Relief Prints. Full suite 5'(H) x 4'6"(W) Peter Lewis Collection Bonnie Cole-Wilson Collection William Abbott Collection National Art Gallery Collection, Bay House, Bay Street, St. Michael, Barbados. (Photo Credit: Dan Christaldi)</image:caption>
    </image:image>
    <image:image>
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      <image:caption>This Land of Mine: Past, Present &amp; Future (1997) Suite of Twelve Relief Prints. Full suite 5'(H) x 4'6"(W) Peter Lewis Collection Bonnie Cole-Wilson Collection William Abbott Collection National Art Gallery Collection, Bay House, Bay Street, St. Michael, Barbados. (Photo Credit: Dan Christaldi)</image:caption>
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    <image:image>
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      <image:caption>This Land of Mine: Past, Present &amp; Future (1997) Suite of Twelve Relief Prints. Full suite 5'(H) x 4'6"(W) Peter Lewis Collection Bonnie Cole-Wilson Collection William Abbott Collection National Art Gallery Collection, Bay House, Bay Street, St. Michael, Barbados. (Photo Credit: Dan Christaldi)</image:caption>
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      <image:title>Archive - This Land of Mine: Past, Present and Future</image:title>
      <image:caption>This Land of Mine: Past, Present &amp; Future (1997) Suite of Twelve Relief Prints. Full suite 5'(H) x 4'6"(W) Peter Lewis Collection Bonnie Cole-Wilson Collection William Abbott Collection National Art Gallery Collection, Bay House, Bay Street, St. Michael, Barbados. (Photo Credit: Dan Christaldi)</image:caption>
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    <image:image>
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      <image:caption>This Land of Mine: Past, Present &amp; Future (1997) Suite of Twelve Relief Prints. Full suite 5'(H) x 4'6"(W) Peter Lewis Collection Bonnie Cole-Wilson Collection William Abbott Collection National Art Gallery Collection, Bay House, Bay Street, St. Michael, Barbados. (Photo Credit: Dan Christaldi)</image:caption>
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      <image:caption>This Land of Mine: Past, Present &amp; Future (1997) Suite of Twelve Relief Prints. Full suite 5'(H) x 4'6"(W) Peter Lewis Collection Bonnie Cole-Wilson Collection William Abbott Collection National Art Gallery Collection, Bay House, Bay Street, St. Michael, Barbados. (Photo Credit: Dan Christaldi)</image:caption>
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    <image:image>
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    <image:image>
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      <image:caption>This Land of Mine: Past, Present &amp; Future (1997) Suite of Twelve Relief Prints. Full suite 5'(H) x 4'6"(W) Peter Lewis Collection Bonnie Cole-Wilson Collection William Abbott Collection National Art Gallery Collection, Bay House, Bay Street, St. Michael, Barbados. (Photo Credit: Dan Christaldi)</image:caption>
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    <image:image>
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      <image:caption>This Land of Mine: Past, Present &amp; Future (1997) Suite of Twelve Relief Prints. Full suite 5'(H) x 4'6"(W) Peter Lewis Collection Bonnie Cole-Wilson Collection William Abbott Collection National Art Gallery Collection, Bay House, Bay Street, St. Michael, Barbados. (Photo Credit: Dan Christaldi)</image:caption>
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      <image:caption>This Land of Mine: Past, Present &amp; Future (1997) Suite of Twelve Relief Prints. Full suite 5'(H) x 4'6"(W) Peter Lewis Collection Bonnie Cole-Wilson Collection William Abbott Collection National Art Gallery Collection, Bay House, Bay Street, St. Michael, Barbados. (Photo Credit: Dan Christaldi)</image:caption>
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    <image:image>
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      <image:caption>This Land of Mine: Past, Present &amp; Future (1997) Suite of Twelve Relief Prints. Full suite 5'(H) x 4'6"(W) Peter Lewis Collection Bonnie Cole-Wilson Collection William Abbott Collection National Art Gallery Collection, Bay House, Bay Street, St. Michael, Barbados. (Photo Credit: Dan Christaldi)</image:caption>
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  <url>
    <loc>https://annaleedavis.com/archive/c9j33reay01q855uwiyg8ipkflfpdf</loc>
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    <lastmod>2020-09-03</lastmod>
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      <image:title>Archive - Raw Testimonies</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598020207396-IFN9RMG9V0OUQ2BEBUBW/Testimonies+5_LoRes.jpg</image:loc>
      <image:title>Archive - Raw Testimonies</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598020209097-ZZSOIFJV9F2I7UFR6E3Z/Testimonies+6_LoRes.jpg</image:loc>
      <image:title>Archive - Raw Testimonies</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598020557240-4KYWWQ6VP3YZRK0UI3FJ/Testimonies+7_LoRes.jpg</image:loc>
      <image:title>Archive - Raw Testimonies</image:title>
      <image:caption>Raw Testimonies (1997) Suite of Six Lithographs and Six Relief Prints Full suite 42"(H) x 102"(W) National Art Gallery Collection, Bay House, Bay Street, St. Michael, Barbados. (Photo Credit: Dan Christaldi)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598020557319-5ELE8D4M9LQ61W051XSA/Testimonies+8_LoRes.jpg</image:loc>
      <image:title>Archive - Raw Testimonies</image:title>
      <image:caption>Raw Testimonies (1997) Suite of Six Lithographs and Six Relief Prints Full suite 42"(H) x 102"(W) National Art Gallery Collection, Bay House, Bay Street, St. Michael, Barbados. (Photo Credit: Dan Christaldi)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598020562273-SE26BAV6W5XG9PVIEK0R/Testimonies+9_LoRes.jpg</image:loc>
      <image:title>Archive - Raw Testimonies</image:title>
      <image:caption>Raw Testimonies (1997) Suite of Six Lithographs and Six Relief Prints Full suite 42"(H) x 102"(W) National Art Gallery Collection, Bay House, Bay Street, St. Michael, Barbados. (Photo Credit: Dan Christaldi)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598020562371-HOF530OU01SFNE101E8L/Testimonies+11_LoRes.jpg</image:loc>
      <image:title>Archive - Raw Testimonies</image:title>
      <image:caption>Raw Testimonies (1997) Suite of Six Lithographs and Six Relief Prints Full suite 42"(H) x 102"(W) National Art Gallery Collection, Bay House, Bay Street, St. Michael, Barbados. (Photo Credit: Dan Christaldi)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598020567712-PIXRXFVBMSIINDCHC7RS/Testimonies+12_LoRes.jpg</image:loc>
      <image:title>Archive - Raw Testimonies</image:title>
      <image:caption>Raw Testimonies (1997) Suite of Six Lithographs and Six Relief Prints Full suite 42"(H) x 102"(W) National Art Gallery Collection, Bay House, Bay Street, St. Michael, Barbados. (Photo Credit: Dan Christaldi)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598020567706-F6J3V5R5LCWTNF5UR487/Testimonies+13._LoRes.jpg</image:loc>
      <image:title>Archive - Raw Testimonies</image:title>
      <image:caption>Raw Testimonies (1997) Suite of Six Lithographs and Six Relief Prints Full suite 42"(H) x 102"(W) National Art Gallery Collection, Bay House, Bay Street, St. Michael, Barbados. (Photo Credit: Dan Christaldi)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/modern-archive-4d876</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1596998946880-9G0SE5KQP4EWN5Y8H7CJ/%28up%29rooted+1997.jpg</image:loc>
      <image:title>Archive - (up)rooted</image:title>
      <image:caption>(up)rooted Purple heart house, Coccinia grandis and Smilax oblongata Dimensions variable, 1997 (Photo credit: Ronnie Carrington)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1596999071170-MDDFBNENWX8FC07Y1ZFS/Annalee+Roots+House+copy.jpg</image:loc>
      <image:title>Archive - (up)rooted</image:title>
      <image:caption>(up)rooted Purple heart house, Coccinia grandis and Smilax oblongata Dimensions variable, 1997 (Photo credit: Ronnie Carrington)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1596999541594-U38943PE6J3ICX5XX3GS/UPROOTED+2+copy.jpg</image:loc>
      <image:title>Archive - (up)rooted</image:title>
      <image:caption>(up)rooted Purple heart house, Coccinia grandis and Smilax oblongata Dimensions variable, 1997 (Photo credit: Ronnie Carrington)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/contemporary-middle-passage-here-and-there</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598038419861-FBLFDAGW4EWU4M3TLA3D/13_LoRes.jpg</image:loc>
      <image:title>Archive - Contemporary Middle Passage (here) and (there)</image:title>
      <image:caption>Contemporary Middle Passage (here) and (there) (1996) Mixed media on Paper. 16'(H) x 6'(W) — One piece of paper with images on both sides of the paper (Photo Credit: Freddie Hergott)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598038419910-T6SZEYSFT6LCQZWLMK69/14_LoRes.jpg</image:loc>
      <image:title>Archive - Contemporary Middle Passage (here) and (there)</image:title>
      <image:caption>Contemporary Middle Passage (here) and (there) (1996) Mixed media on Paper. 16'(H) x 6'(W) — One piece of paper with images on both sides of the paper (Photo Credit: Freddie Hergott)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaleedavis.com/archive/rooted-with-passion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598036647268-KIPDKI7QLKLAB4WV1XPQ/47_LoRes.jpg</image:loc>
      <image:title>Archive - Rooted with Passion</image:title>
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      <image:title>Archive - Rooted with Passion</image:title>
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      <image:title>Archive - Rooted with Passion</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598036653070-UEKVQ8L75KP2EH0J386N/Flying_LoRes.jpg</image:loc>
      <image:title>Archive - Rooted with Passion</image:title>
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      <image:title>Archive - Rooted with Passion</image:title>
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      <image:title>Archive - Rooted with Passion</image:title>
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      <image:title>Archive - Rooted with Passion</image:title>
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    <loc>https://annaleedavis.com/archive/wounded-innocence-and-sugar-cane-sweeties</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1598037146386-NIEGBQACY7KXQLZNPWRM/48_LoRes.jpg</image:loc>
      <image:title>Archive - Wounded Across all Innocence</image:title>
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      <image:title>Archive - Wounded Across all Innocence</image:title>
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      <image:title>Archive - Wounded Across all Innocence</image:title>
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      <image:title>Archive - Wounded Across all Innocence</image:title>
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    <loc>https://annaleedavis.com/archive/zmmtj1ftrz530kst89xiep0pxj8fnx</loc>
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    <lastmod>2020-09-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597521605573-DOMNQLVJD8332OHHD1YQ/ScarredDream_LoRes.jpg</image:loc>
      <image:title>Archive - Scarred Dream</image:title>
      <image:caption>Scarred Dream Palm spathes, lace, cotton, vine, red acrylic pain Dimensions variable, 1994 (Photo Credit: Dan Christaldi + Steve Cohn)</image:caption>
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    <loc>https://annaleedavis.com/archive/luxurious-ease-amb3w</loc>
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    <lastmod>2020-09-03</lastmod>
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      <image:title>Archive - The Things We Worship</image:title>
      <image:caption>The Things We Worship (1992) Acrylic on Wooden Altar 60”h x 45”w (Closed) or 60”h x 90”x (Open) Collection of the Embassy of the USA, Barbados office. Video documentation credit: Len Corsby Photo credit: Daniel Christaldi</image:caption>
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      <image:title>Archive - The Things We Worship</image:title>
      <image:caption>The Things We Worship (1992) Acrylic on Wooden Altar 60”h x 45”w (Closed) or 60”h x 90”x (Open) Collection of the Embassy of the USA, Barbados office. Video documentation credit: Len Corsby Photo credit: Daniel Christaldi</image:caption>
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      <image:title>Archive - The Things We Worship</image:title>
      <image:caption>The Things We Worship detail (1992) Acrylic on Wooden Altar 60”h x 45”w (Closed) or 60”h x 90”x (Open) Collection of the Embassy of the USA, Barbados office. Video documentation credit: Len Corsby Photo credit: Daniel Christaldi</image:caption>
    </image:image>
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      <image:title>About</image:title>
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      <image:title>Get in touch - GET IN TOUCH</image:title>
      <image:caption>Annalee Davis Walkers Dairy St. George, Barbados BB19193 Email: annaleedavis@gmail.com Phone: +1-246-230-8897 Facebook Instagram</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f04d5206bf5a25a0360e8dd/1597934816902-TIPWN1KHEV23G5Y324H5/Fresh-Milk-image-by-Mark-King.jpg</image:loc>
      <image:title>Press Kit - Artist Statement</image:title>
      <image:caption>How can we unlearn the plantation? This inquiry resonates with me from my home, Barbados, the world’s youngest Republic where questions swirl around the vestiges of the trans-Atlantic slave trade, plantation economies, tourism, and land use while navigating shared memories. The site where I live and work, once a 17th-century sugarcane plantation, provides critical context for my practice. I engage with the plantation’s residue through the landscape it irrevocably altered and its continued impact on the contemporary environment, including this era of the plantationocene. My interdisciplinary practice suggests future strategies for repair and thriving while investigating the role of botanicals and living plots as alternative sites of refusal, counter-knowledge, community, and healing. Rituals of walking in former sugar cane fields continually open up the space anew, allowing me to imagine how to form more intimate relationships with landscapes heavily mediated by centuries of monocropping succeeded by tourist economies.  More recent works made communally include living apothecaries, embroidery panels, and secular sounds as gestures of ‘kinning’ or making-with. Slowly-made embroidery tapestries acknowledge British sewing traditions inherited by Barbadian women across race and class, instilling notions of what it meant to be feminine by training middle- and upper-class women into becoming submissive housewives abiding by the church’s teachings and moral codes of respectability. Conversely, my counter-use of this medium addresses more indelicate discourse such as the impact of mono-crop farming and the plantation on today’s climate emergency in a mash-up of fabrics, threads, and traditions acknowledging the creolization inherent in the formation of post-independent Barbados.  Instead of producing decorative works for the living room, once the prescribed domain of women, these living plots, tapestries, and sounds tie the plantation to the sixth extinction, advocating for the worship of flowers, the need to unlearn the plantation and defend nature through ecologies of care.  Image: The Milking Parlour Studio</image:caption>
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